Animated television programs

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 2, Production Materials (boxes 109-110), is divided into three sub-series: Pre-Production Records, Animation and Design, and Staffing. Of note in the Pre-Production Records (box 109) is a binder of logos, main title ideas, and promotions. It includes numerous rejected logo designs; notes and outlines for what would later become the scenes depicted in the opening credits of the show; and scripts and ideas for promotional spots to introduce viewers to the Hill family and their neighbors...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Collection: The King of the Hill Archives documents the writing and production history of the Emmy-award winning Fox television show. The records date from 1995 to 2007, and are arranged into seven series: Episodes, Production Materials, Marketing and Publicity, Photographs, Audio/Visual Materials, Artifacts, and Books. Series 1, Episodes (boxes 1-108),  forms the bulk of the collection  and is arranged chronologically by season and then according to airdate....

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 2, Production Materials (boxes 109-110), is divided into three sub-series: Pre-Production Records, Animation and Design, and Staffing. Of note in the Pre-Production Records (box 109) is a binder of logos, main title ideas, and promotions. It includes numerous rejected logo designs; notes and outlines for what would later become the scenes depicted in the opening credits of the show; and scripts and ideas for promotional spots to introduce viewers to the Hill family and their neighbors...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series:

Series 4, Photographs (box 116), includes color and black and white stills of the Hill family and other characters. There are also cast/staff photographs, comprising snapshots taken during writers’ research trips to Texas and the Playboy mansion. Also included are three in-studio photos of Mike Judge with Willie Nelson.

Note: See Series V: Artifacts, Posters, and Framed Items for additional photographs.

Scope and Contents From the Series: Series 6, Artifacts, Posters, and Framed Items (box 118 and oversized) includes 11” x 14” portraits of each principal character. All but the Peggy portrait originally hung on the walls of the Century City offices. Also included are framed photographs of characters and staff members, posters, character cut-outs, and whiteboards. Three of the whiteboards list episodes by season and originally hung in the writers’ room. The large “Making of King of the Hill” whiteboard was originally in the...

Scope and Contents From the Series: Series 2, Production Materials (boxes 109-110), is divided into three sub-series: Pre-Production Records, Animation and Design, and Staffing. Of note in the Pre-Production Records (box 109) is a binder of logos, main title ideas, and promotions. It includes numerous rejected logo designs; notes and outlines for what would later become the scenes depicted in the opening credits of the show; and scripts and ideas for promotional spots to introduce viewers to the Hill family and their neighbors...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...