Animated television programs

Scope and Contents From the Series:

Series 3, Marketing and Publicity (boxes 111-115), includes marketing guidelines; a publicity and promotions binder of stills, interviews, and other promotions; additional published articles and reviews; awards; and promotional items including a 1999 calendar, the design for the John Force/King of the Hill racecar, and the layout design materials for The Boy Ain’t Right book by Hank Hill.

Scope and Contents From the Series:

Series 3, Marketing and Publicity (boxes 111-115), includes marketing guidelines; a publicity and promotions binder of stills, interviews, and other promotions; additional published articles and reviews; awards; and promotional items including a 1999 calendar, the design for the John Force/King of the Hill racecar, and the layout design materials for The Boy Ain’t Right book by Hank Hill.

Scope and Contents From the Series:

Series 3, Marketing and Publicity (boxes 111-115), includes marketing guidelines; a publicity and promotions binder of stills, interviews, and other promotions; additional published articles and reviews; awards; and promotional items including a 1999 calendar, the design for the John Force/King of the Hill racecar, and the layout design materials for The Boy Ain’t Right book by Hank Hill.

Scope and Contents From the Series:

Series 3, Marketing and Publicity (boxes 111-115), includes marketing guidelines; a publicity and promotions binder of stills, interviews, and other promotions; additional published articles and reviews; awards; and promotional items including a 1999 calendar, the design for the John Force/King of the Hill racecar, and the layout design materials for The Boy Ain’t Right book by Hank Hill.

Scope and Contents From the Series:

Series 3, Marketing and Publicity (boxes 111-115), includes marketing guidelines; a publicity and promotions binder of stills, interviews, and other promotions; additional published articles and reviews; awards; and promotional items including a 1999 calendar, the design for the John Force/King of the Hill racecar, and the layout design materials for The Boy Ain’t Right book by Hank Hill.

Scope and Contents From the Series:

Series 3, Marketing and Publicity (boxes 111-115), includes marketing guidelines; a publicity and promotions binder of stills, interviews, and other promotions; additional published articles and reviews; awards; and promotional items including a 1999 calendar, the design for the John Force/King of the Hill racecar, and the layout design materials for The Boy Ain’t Right book by Hank Hill.

Scope and Contents From the Series:

Series 3, Marketing and Publicity (boxes 111-115), includes marketing guidelines; a publicity and promotions binder of stills, interviews, and other promotions; additional published articles and reviews; awards; and promotional items including a 1999 calendar, the design for the John Force/King of the Hill racecar, and the layout design materials for The Boy Ain’t Right book by Hank Hill.

Scope and Contents From the Series:

Series 3, Marketing and Publicity (boxes 111-115), includes marketing guidelines; a publicity and promotions binder of stills, interviews, and other promotions; additional published articles and reviews; awards; and promotional items including a 1999 calendar, the design for the John Force/King of the Hill racecar, and the layout design materials for The Boy Ain’t Right book by Hank Hill.

Scope and Contents From the Series:

Series 3, Marketing and Publicity (boxes 111-115), includes marketing guidelines; a publicity and promotions binder of stills, interviews, and other promotions; additional published articles and reviews; awards; and promotional items including a 1999 calendar, the design for the John Force/King of the Hill racecar, and the layout design materials for The Boy Ain’t Right book by Hank Hill.

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 2, Production Materials (boxes 109-110), is divided into three sub-series: Pre-Production Records, Animation and Design, and Staffing. Of note in the Pre-Production Records (box 109) is a binder of logos, main title ideas, and promotions. It includes numerous rejected logo designs; notes and outlines for what would later become the scenes depicted in the opening credits of the show; and scripts and ideas for promotional spots to introduce viewers to the Hill family and their neighbors...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...

Scope and Contents From the Series: Series 1, Episodes (boxes 1-108), forms the bulk of the collection and is arranged chronologically by season and then according to airdate. The amount of material for each episode varies, but typical documents include numerous drafts of the script, outlines, and notes. Episodes written by donor Jim Dauterive are more fully represented with additional research materials, multiple writer’s drafts, note cards, and storyboards. Of note in this series is material documenting the pilot episode...