Actors
Found in 790 Collections and/or Records:
Location stills by Volker, color photographs in blue notebook, undated
Lou Reed "New Sensations" RCA 1984; "The Moray Eels Eat at the Holy Modal Rounders" Elektra Records; NightVoices. "Intimacy / Insomnia", 1984
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
"Malestroms Large and Small: An Evening of Primo Levi," Manhattan Theater Club script and correspondence, 1991
This series is comprised of Shepard’s notes, correspondence and annotated photocopies of excerpts of his work read at various events. Arranged in chronological order by the event’s date.
Manuscript and typescript pages for early draft titled Chattanooga, Fanatics, and, Chattanooga Breakdown , January-May 1989
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Manuscript musical score by Loren Toolajian [housed in box 26], 1997
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
McMurtry, Larry and Ossana, Diana. "Streets of Laredo." Photocopy of October 1, 1994 re-write. Shepard played the role of Pea Eye Parker, October 1, 1994
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Motel Chronicles (1982)
Music notes, 1992
News clippings, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Notebook with headings of outline, personnel, and notes, 1988
Notebook with rehearsal notes, rehearsal schedule, correspondence, Fall 1994
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Notebooks, 1981-1995
The Notebooks series includes handwritten notes, dialogue ideas, small drawings, and journal entries, usually in spiral bound notebooks. Some entries are personal and many were or were intended to be developed into longer works.
Notes and dialog, January 1989
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
