Actors
Found in 790 Collections and/or Records:
Beckett, Samuel. Stirring Still. Illus. By Louise le Brocquy. Blue Moon Books: New York, 1988
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Beresford, Bruce. "Curse of the Starving Class," 3rd draft, typescript, May 5, 1992
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Beresford, Bruce. "Curse of the Starving Class," 4th draft, typescript, July 1, 1992
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Black and white publicity photograph of Sam Shepard on set
Blue spiral containing notes on various subjects
“Dream in Borad Day,” prose fragment, July, 23, 1982; “script fragment beginning,” Int. Lee and Old Man,” August 8, 1982; “P.O.V’s prose, fragment,” undated; “After all I’d been through with this guy,” prose fragment, October 11, 1982; “The Flood has occurred and he could not be bothered to save himself from drowning...” prose fragment, undated; “Second Chance” undated
Booklet containing synopsis, photographs, artistic and technical participants in film (in French), undated
Books, 1988, 1990
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Bound annotated typescript with cover featuring Elvis kissing a blonde woman. Signed by Shepard, October 1982
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Brazilian reviews, 1988
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Bright Angel, screenplay by Richard Ford (1989-1990)
British (London) reviews, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Buried Child (1977)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
CD and audiocassette musical recording by Red Clay Ramblers
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Clippings, 1983-1988
This series includes news clippings regarding Shepard and his work. A file of undated clippings also includes photocopied fragments of others’ work, annotated by Shepard.
Clippings, undated
This series includes news clippings regarding Shepard and his work. A file of undated clippings also includes photocopied fragments of others’ work, annotated by Shepard.
Clippings, 1983-1998
This series includes news clippings regarding Shepard and his work. A file of undated clippings also includes photocopied fragments of others’ work, annotated by Shepard.
Clippings and reviews, 1992-1994
Clippings regarding 1965 Japanese film Onibaba directed by Kaneto Shindo
Cocks, Jay. "Brownsville Girl," 8 page movie treatment, November 1996
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.