Blues (Music) -- Texas
Found in 1319 Collections and/or Records:
Publicity, 1970 - 2018
Publicity is divided into Newspaper and Magazine Clippings, and Flyers and Promotional Materials. Newspaper and magazine clippings about Marcia Ball were collected and distributed through promotional packets, press kits, album release announcements, and more, and they span nearly fifty years. Flyers and promotional materials include a variety of items relating to shows, benefits, and festivals, as well as business cards, bumper stickers, and other ephemera.
Publicity photo in red chair. Photographer: Mary Keating Bruton
Photographs include over 100 images of Marcia Ball, including promotional photographs as well as candid performance shots. Also include are some early passport or photobooth photos of Ball, and a contact sheets of her in a 1960s bowling outfit, possibly for a film.
Published Material, 1970 - 2018
Published material includes numerous magazines and newspapers with articles about Marcia Ball’s career, concerts, lifestyle. Also featured are stories about her and her husband, Jim Fowler, and their Austin restaurant / music venue, La Zona Rosa.
Puistoblues (2 copies) and bumper sticker, June 25, 2003
This series includes over 60 posters for concerts, benefits, and other appearances. Most feature Marcia Ball, but some include other artists, particularly a number of posters for the Austin venue, La Zona Rosa, owned by Ball and her husband, Jim Fowler.
Queen of the Boogie Woogie, July 16, 1997
This series includes over 60 posters for concerts, benefits, and other appearances. Most feature Marcia Ball, but some include other artists, particularly a number of posters for the Austin venue, La Zona Rosa, owned by Ball and her husband, Jim Fowler.
Quotes
Radio Z102 show on SRV (includes SRV interview excerpts). Tapes #163-164, August 27, 1991
Ratisseau, Shirley D., undated
This listing refers to interviews conducted by Joe Nick Patoski for which written transcripts and/or notes have been made. Box and folder numbers in this list refer to these transcripts and/or notes. Tape numbers in this list refer to the audiocassette tapes listed more fully in Series III.
Ray Benson, April 23, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Ray Benson, April 23, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Ray Benson, April 23, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Ray Benson end, April 23, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Ray Benson solo, July 10, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Ray Benson solo-board mix with live, July 10, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Ray Benson solo cam, July 10, 2003
This series consists of 318 DV cam tapes of raw footage used in the production of the film, as well as DVD viewing copies and inventories of the tapes.
Record mention on page 58, August 1984
Published material includes numerous magazines and newspapers with articles about Marcia Ball’s career, concerts, lifestyle. Also featured are stories about her and her husband, Jim Fowler, and their Austin restaurant / music venue, La Zona Rosa.
Recording of graveside service, Laurel Land Memorial Park, Dallas, TX. Tape #160 , August 31, 1990
Red card stock in mylar lapel pin badge with building graphic, “Caravan of Dream[s]” text and “SRV” written in gold ink, undated
Redbeard Tapes #96-97, December 11, 1991
This listing refers to interviews conducted by Joe Nick Patoski for which written transcripts and/or notes have been made. Box and folder numbers in this list refer to these transcripts and/or notes. Tape numbers in this list refer to the audiocassette tapes listed more fully in Series III.