Screenplays
Subject
Subject Source: Art & Architecture Thesaurus
Found in 1182 Collections and/or Records:
“The Last Good Kiss” incomplete screenplay; notes by Martha Elizabeth, undated
File — Box 1885, Folder: 3
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
undated
“The Last Good Kiss” notes by Martha Elizabeth, undated
File — Box 1885, Folder: 1
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
undated
“The Last Good Kiss” revised screenplay by Walter Hill, undated
File — Box 8, Folder: 10
Scope and Contents
From the Series:
Subseries A: Screenplays (undated) Arranged in alphabetical order by author, this subseries includes two screenplays based on Crumley’s novel The Last Good Kiss. Subseries B: Poetry (undated) Also arranged in alphabetical order by author, this subseries includes poetry by Kathy Callaway (1 folder), various authors (1 folder), and unidentified authors (1 folder).
Dates:
undated
“The Last Good Kiss” screenplay, undated
File — Box 1885, Folder: 8-9
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
undated
“The Last Good Kiss” screenplay by Martha Elizabeth, March 2012
File — Box 1885, Folder: 16
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
March 2012
“The Last Good Kiss” screenplay by Martha Elizabeth, July 2012
File — Box 1885, Folder: 18
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
July 2012
“The Last Good Kiss” screenplay by Martha Elizabeth: first draft, April 2012
File — Box 1885, Folder: 17
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
April 2012
“The Last Good Kiss” screenplay by Michael Jenning: first draft, undated
File — Box 1885, Folder: 11
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
undated
“The Last Good Kiss” screenplay by Walter Hill, undated
File — Box 1885, Folder: 10
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
undated
“The Last Good Kiss” screenplay by Willie Goldman, September 27, 2003
File — Box 1885, Folder: 12
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
September 27, 2003
“The Last Good Kiss” screenplay by Willie Goldman, November 14, 2003
File — Box 1885, Folder: 13
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
November 14, 2003
“The Last Good Kiss” screenplay by Willie Goldman, July 30, 2009
File — Box 1885, Folder: 15
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
July 30, 2009
“The Last Good Kiss” screenplay by Willie Goldman; includes letter and film project “game plan”, June 11, 2008
File — Box 1885, Folder: 14
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
June 11, 2008
“The Last Good Kiss” screenplay: first draft, January 21, 1979
File — Box 1884, Box: 16-17
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
January 21, 1979
“The Last Good Kiss” screenplay: first draft, January 21, 1979
File — Box 1884, Folder: 16-17
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
January 21, 1979
“The Last Good Kiss” screenplay: miscellaneous pages , undated
File — Box 1884, Box: 18
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
undated
“The Last Good Kiss” screenplay: miscellaneous pages , undated
File — Box 1884, Folder: 18
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
undated
“The Last Good Kiss” screenplay: printed on long sheets of paper, undated
File — Box 1885, Folder: 2
Scope and Contents
From the Series:
Personal papers of author James Crumley. These items were collected from his home and reflect Crumley’s professional writing career and personal life. This collection includes multiple drafts of Crumley’s screenplays and novels, international translations, and publicity; some writings by other authors; drawings and work by Crumley’s first wife, Martha Elizabeth; correspondence; a sampling of documents that reflect his medical and financial history; reviews; publicity; photographs; office...
Dates:
undated
“The Local Memory" Chapter 1
File — Box 4, Folder: 10-11
Scope and Contents
From the Series:
This series has been arranged in chronological order by date of the novel’s creation. This is the largest series, with the numerous Dancing Bear files documenting Crumley's changing ideas for titles and other aspects related to the novel. Although multiple drafts of each work are present, the drafts typically include only the first few chapters of the work. The specific portions of each work represented and any variant titles are identified by the folder...
Dates:
1983, undated
The Mask of Aztlan, 1983 - 1985
Sub-Series
Sub-Series Description
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
Dates:
1983 - 1985
University Archives
Room 580, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
UnivArchives@txstate.edu
Room 580, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
UnivArchives@txstate.edu
The Wittliff Collections
7th Floor, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
Wittliff_Ref@txstate.edu
7th Floor, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
Wittliff_Ref@txstate.edu