Musicians -- Texas
Found in 11029 Collections and/or Records:
Reel 23, November 21, 2003
(Side label dated 13-Sep-10). Contents: 1) For All I Knew 11/21; 2) For All I Know (Vocals Up .5) 11/21; 3) For All I Know (Vocal Up 1) 11/21
Reel 24, November 24. 2003
(Side label dated 13-Sep-10). Contents: 1) 60 Acres 11/24; 2) 60 Acres (Vocal Up .5) 11/24; 3) 60 Acres (vocal up 1) 11/24; 4) Max’s Therom
Reese, Pauline – 1 photograph
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Reese, Pauline. The Good, the Bad, and the Ugly (CD) [Willie Nelson guest vocalist], 2004
Reeves, Jim. I Love You (LP) ["Man With The Blues" written by Willie Nelson], undated
Refugee Management Texas Tornadoes 1. MTV news 2. Adios Mexico 3. Sir Douglas Quintet 9:30 Dub from VHS , March 8, 1991
Additions to the Ernie Durawa collection includes photographs and VHS tapes relating to Ernie Durawa and the Texas Tornados.
Regency Jazz Band, 1986-1993, undated
Regina Garcia, 1988, undated
Regina Matthews, Billy Mata cover, August, 2000
This series contains a near-complete run of the newspaper from 1975-2019.
Register-Guard (cover), January 13, 2006
Published material includes numerous magazines and newspapers with articles about Marcia Ball’s career, concerts, lifestyle. Also featured are stories about her and her husband, Jim Fowler, and their Austin restaurant / music venue, La Zona Rosa.
Reid, Ace (cartoonist)
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Rejection letters, directory of organizations funded by Farm Aid, clippings, records of grants approved, and newsletters, April-August 1988
Rejection letters, newsletters, copies of disbursement checks, correspondence, clippings, minutes from AG-Link Hotline Board of Directors meeting, transcript of the testimony of Dr. Max E. Glenn representing the Oklahoma AG-Link Coalition and the Oklahoma Conference of Churches before the National Action Commission on the Mental Health of Rural Americans, Des Moines, Iowa, December 2, 1987, and a sampling of work funded by Farm Aid, November-December 1987
Rel 16
(Side labeled 13-Sep-10). Contents: 1) Out Here - Salt Lake 2; 2) Out Here - Salt Lake 2 (Vocal Up .5 db)
“Relivin’ the past all over …” (loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.
Remedio, 2015, undated
“Remembering Clifford Antone” Article
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
“Remembrance” - Single released online (loose pages) , 2016
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.