Musicians -- Texas
Found in 11735 Collections and/or Records:
Open reel recordings from Jack Clement Recording Studios of songs such “Route 66”, “Cajun Stripper”, “Lost Mino”, “Miles & Miles of Texas”, and “If I Can’t Love You”, April 21, 1976
Open reel recordings of “Choo Choo Choo Boogie”, “Don’t Roll Them Bloodshot Eyes at Me”, “Don’t Ask Me Why I’m Going to Texas”, “Our Names Aren’t Mentioned (Together Anymore)”, “Last Night I Shot Myself”, “Jumpin’ at the [Blood side]”, and “Miss Molly”, June 11-17, 1973
“Operation Never Mind” (loose pages)
Orange cap with blue lettering which states “ASCAP Ray Benson Birthday Bash”, undated
Orange cap with white and black lettering that states “Ray Benson-ASCAP-Birthday Bash”, undated
Orange lily drawing by Susanna Tally [Clark], framed, undated
Additions to the Tamara Saviano Collection, primarily following the lives and careers of Guy Clark and Kris Kristofferson. Majority of the materials are interview transcripts with Guy Clark, Susanna Clark and friends; contains Kris Kristofferson’s music publicity materials; CDs, DVDs, and U-Matics of performances and interviews, 1937-2015. Also within the collection are Stephen Foster’s sheet music; correspondence; and publications.
Orange Metro “Festivals Planned for Mauriceville, Vinton”, September 9, 1989
Published material includes numerous magazines and newspapers with articles about Marcia Ball’s career, concerts, lifestyle. Also featured are stories about her and her husband, Jim Fowler, and their Austin restaurant / music venue, La Zona Rosa.
Organizacion Karizzia, undated
“Original Clips”
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
Original color negatives for “Too Long in the Wasteland” (1989) cover shoot
Original copies of Guy Clark itineraries (1 of 3), 1993-2007
Archival materials received from publicist/musician/producer, Tamara Saviano, following the career of musician and songwriter, Guy Clark from 1977-2007. Included are correspondence, photographs, fan newsletters, and articles pertaining to Clark’s music career.
Original copies of Guy Clark itineraries (2 of 3), 1993-2007
Archival materials received from publicist/musician/producer, Tamara Saviano, following the career of musician and songwriter, Guy Clark from 1977-2007. Included are correspondence, photographs, fan newsletters, and articles pertaining to Clark’s music career.
Original copies of Guy Clark itineraries (3 of 3), 1993-2007
Archival materials received from publicist/musician/producer, Tamara Saviano, following the career of musician and songwriter, Guy Clark from 1977-2007. Included are correspondence, photographs, fan newsletters, and articles pertaining to Clark’s music career.
Original Handwritten Lyrics ‘Heal in the Wisdom’ plus Michael Eakin story of Murder
Archival materials relating to the career and personal life of musician/playwright/author, Bobby Bridger from 1944-2018. Included are photographs (including a photo of Bridger with Lady Bird Johnson); promotional material for A Ballad of the West; handwritten lyrics such as Heal in the Wisdom; and Bridger’s vinyl records of Merging of our Minds, And I Wanted to Sing for the People, and Heal in the Wisdom. Also, included in the collection is a screenplay for Shakespeare and the Indians.
Original pen and ink drawing of drug user behind bars. Inscribed on back to Sam, “…I went with some sick-puppy art depicting the evils of drugs – behind bars, death, etc.”
This series contains the oversized material in the collection, including photographs, layout designs, and broadsides.
Original Poster Artboard for Lonestar Café, undated
This series includes over 60 posters for concerts, benefits, and other appearances. Most feature Marcia Ball, but some include other artists, particularly a number of posters for the Austin venue, La Zona Rosa, owned by Ball and her husband, Jim Fowler.