Music -- Texas

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Lone Star Beer records document the history of the San Antonio brewery through printed material, memos, photographs, publications, and advertisements – many of which feature Texas musicians.

The Oversized Materials series contains larger format photographs, Lone Star Beer articles and advertisements, posters (including several for Willie Nelson concerts), album covers, and a scrapbook.

Seven subjects of a legal nature are documented in this series: Austin Sun Publishing Company, Jan Demetri, ICM Contracts, Gary DeShazo, D.W.I., Buttercup Mountain and Manny Newburger. The series is arranged chronologically.

Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.

Newspapers and magazines are divided between those relating to Willie Nelson, and other music publications.

The Oversized Materials series contains larger format photographs, Lone Star Beer articles and advertisements, posters (including several for Willie Nelson concerts), album covers, and a scrapbook.

Newspapers and magazines are divided between those relating to Willie Nelson, and other music publications.

The Oversized Materials series contains larger format photographs, Lone Star Beer articles and advertisements, posters (including several for Willie Nelson concerts), album covers, and a scrapbook.

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Materials date from 1964-2018 and consist of CDs, CD-Rs DVDs, 45 rpm records, 33 rpm LPs, 16 mm B/W film, video reel and a 30 ips tape master. All recordings are either written by or featuring Willie Nelson as guest artist or performer.

Archival materials relating to the career and personal life of musician/playwright/author, Bobby Bridger from 1944-2018. Included are photographs (including a photo of Bridger with Lady Bird Johnson); promotional material for A Ballad of the West; handwritten lyrics such as Heal in the Wisdom; and Bridger’s vinyl records of Merging of our Minds, And I Wanted to Sing for the People, and Heal in the Wisdom. Also, included in the collection is a screenplay for Shakespeare and the Indians.