Music -- Texas

Abstract From the Series:

Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.

Abstract From the Series:

Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.

Series Description From the Series: The photographs are arranged alphabetically, and notable artists and personalities include Asleep at the Wheel, Moe Bandy, Johnny Bush, Johnny Cash, Hondo Crouch, Joe Ely, Freddy Fender, Kinky Friedman, John Lee Hooker, Waylon Jennings & Jessie Colter, Steve Jordan, Augie Meyers, Willie Nelson, Johnny Rodriguez, Leon Russell, Doug Sahm, Billy Joe Shave, Jimmy Spacek, and Jerry Jeff Walker. The Willie Nelson photographs are substantial in number, and of note are some images of his father,...

Abstract From the Series:

Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.

Abstract From the Series:

Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.

Scope and Contents From the Collection: The Austin City Limits Collection spans the years from 1974 to 2002. It is a diverse collection that contains material and artifacts documenting Austin City Limits and artists connected with the show. The collection was compiled by Bill Arhos (co-creator, executive producer and program director for Austin City Limits), and also documents the Austin Film Festival and PBS-KLRU/KLRN. The collection includes press clippings, publicity materials, photographs, correspondence, galley...

Abstract From the Series:

Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.

Abstract From the Series:

Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.

Series Description From the Series: This series consists of VHS and U-Matic tapes. Most of the tapes are programs featuring Willie Nelson recorded from television. The programs include news interviews, music concerts, television shows and film. The majority of the tapes are produced video although, there are some tapes featuring raw footage of Willie Nelson. The raw footage includes a music performance at a bar in 1990, the auction of Willie Nelson’s personal belongings, Willie Nelson performing at Phoenix Indian School and...

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Scope and Contents From the Collection: The Austin City Limits Collection spans the years from 1974 to 2002. It is a diverse collection that contains material and artifacts documenting Austin City Limits and artists connected with the show. The collection was compiled by Bill Arhos (co-creator, executive producer and program director for Austin City Limits), and also documents the Austin Film Festival and PBS-KLRU/KLRN. The collection includes press clippings, publicity materials, photographs, correspondence, galley...

Scope and Contents From the Collection: The Austin City Limits Collection spans the years from 1974 to 2002. It is a diverse collection that contains material and artifacts documenting Austin City Limits and artists connected with the show. The collection was compiled by Bill Arhos (co-creator, executive producer and program director for Austin City Limits), and also documents the Austin Film Festival and PBS-KLRU/KLRN. The collection includes press clippings, publicity materials, photographs, correspondence, galley...

Series Description From the Series:

This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.

Abstract From the Series:

Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.