Music -- Texas
Found in 11836 Collections and/or Records:
Early Articles as a Music Critic in Austin (folder 1 of 2)
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
Early Articles as a Music Critic in Austin (folder 2 of 2)
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
Early corrected draft typescript
Early correspondence, table of contents, introduction draft printout
Early logo t-shirt
Early photographs (17 photographs), 1975 - 2010
Early season background information, 1989-1992, 2006
Series I: Austin City Limits begins with Season 2 (1977) press packets and other promotional materials, articles and information about the early days of the television show. It continues with press packets from Seasons 3-10, 12-19, 24. Four large plastic displays including images of Austin City Limits stage, Johnny Cash in greenroom, other behind-the-scenes images round out the series.
Earning statements from the University of Texas, classroom evaluations, statements and summaries for various accounts, agreements with UT Press, royalty statements, awards, and applications for the Paisano Fellowship, undated
Variety of material including CDs, LPs, t-shirt and caps, posters, magazines, newspapers and newspaper clippings, drafts and manuscripts of work, photos, correspondence, music announcements and musician press kits, notes and notebooks, maps, brochures and other artifacts. Majority of material was not in files or labeled; file titles are in quotation marks when present.
Earwood, Mundo (3 photographs)
“EAS” briefcase
East Pole Corp., 1977-1996
This seriesdocuments the two corporations that Shrake started and operated: Mad Dog, Inc. and East Pole Corporation. The Mad Dog, Inc. Corporate Structure and correspondence reflect the company’s satirical nature. The East Pole Corporation materials include receipts, reports, a budget, tax records, pension plan and an embosser.
East Troy, Wisconsin - Walworth County Sherriff's Department report, 1990
Series II: Stevie Ray Vaughan, includes numerous slides by photographer Sky Kaly of Vaughans's second tour with Double Trouble, 1985-1986, as well as other images of the Blues performer. Posters, concert tickes, clippings, and other memorabilia round out the series. Of note are the reports relating to Vaughan's tragic death in a helicopter crash in Wisconsin in 1990
East West Records
The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.
“Eastbound Greyhound …” (2 notepads and loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.
“Eastern Daylight” - originally labelled “failed lyrics for Marshall Crenshaw Project” (notepad and loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.
Eastern Front Records
The promotional material series is predominately made up of photographic and printed material sent to Patoski from music, television and film production companies, record companies, and talent agencies. Other promotional materials in this series include catalogs, newsletters, festival advertisements, press releases and ephemera all relating to the music industry.
Easy Money (2 phonographs) - "Run Baby Run," "Stillness of the Night"
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.
Easy Money - "I'll Still Call You Baby," "Her Heart Don't Beat"
The majority of phonographs in this series are from Patoski's personal collection, but some were sent to him as promotional material. The audio cassettes are mostly non-professional recordings of music, and a few are of interviews with musicians. A relatively large portion of the audio cassettes are of the band Joe "King" Carrasco, which Patoski managed during the 1980s.