Music -- Texas
Found in 11836 Collections and/or Records:
"Burtons' Book of the Blues" by Wilson, Burton
Bush, Johnnie – 1 photograph
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Bush, Johnny (38 photographs, press release, negatives) including with Kindrick
“Bush—One Generation Back From E-mail Draft”, February 22, 2003
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
“Bush—Proof” (2 folders)
Newspaper articles, SXSW and ACL programs, and drafts for the John T. Davis archive. This collection includes a wide expanse of Davis’s articles from 1980-2010, including articles from Davis’s music review column in the Austin-American Statesman. This collection also contains official SXSW and ACL music and program guides, as well as drafts of Davis’s comprehensive ACL book, Austin City Limits: 25 Years of Music.
Business cards
The bulk of Kindrick’s personal papers include clippings of his “Offbeat” column that appeared in the San Antonio Express News, 1968-1974. The column is a precursor to the workhe would later do at Action Magazine, and the subjects are similar: music, culture, off-beat stories of sports, politics, and society.
Business paperwork, including letter from Fish and Richardson, P.C.; letter from Missouri Department of Revenue; letter and itinerary from Jack Ingram regarding the 2003 “Real American Music Festival”
Series V “Business Records,” is arranged into separate folders containing copyright forms for songs, correspondence with record labels regarding CD production and royalties, and concert performance contracts, plus miscellaneous other business paperwork, business cards, and receipts
Business Records, 1986-1999, undated
Series V “Business Records,” is arranged into separate folders containing copyright forms for songs, correspondence with record labels regarding CD production and royalties, and concert performance contracts, plus miscellaneous other business paperwork, business cards, and receipts
Business ventures - Cowboy TV Network/Outlaw Music Channel, 1989-1991
Business ventures - Pasta Canata, 1983-1985
But Not For Love, 1962-2001, undated
Buttercup Mountain, 1989-1991
Seven subjects of a legal nature are documented in this series: Austin Sun Publishing Company, Jan Demetri, ICM Contracts, Gary DeShazo, D.W.I., Buttercup Mountain and Manny Newburger. The series is arranged chronologically.
Buttercup Property, 1981
Butthole Surfers
This series of subject files and artist files, made up of newspaper clippings, notes, interviews, photographs and ephemera, illustrates Patoski's many areas of interest and his research methods. Patoski wrote about and published pieces relating to many of the topics and people in the subject and artist files. Of particular note is the large amount on material on Joe "King" Carrasco and his band, who Patoski managed in the 1980s.
Butthole Surfers
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Buttons and coins
This series contains a small group of documents pertaining to Patoski's personal financial, legal, and medical matters, as well as art works on paper, and an array of artifacts. Of particular interest is Patoski's collection of mostly music related buttons.