Photographers

Series Description From the Series:

The bulk of this series is comprised of three of Russell Lee’s cameras and their accessories, such as his hand-held flash and various viewfinders. Also included is Lee’s Leitz 35mm enlarger, and his cap from his tenure with the Air Transport Command.

Series Description From the Series:

This series includes catalogs, a booklet, and a poster related to exhibits of Russell Lee’s works (one exhibit by the Coal Mine Administration in 1947, one by the University of Texas at Austin in 1965, and one by Texas A&M in 1986). Articles related Lee’s work in general complete this series

Series Description From the Series:

Correspondence, financial documents, and guidelines and working papers comprise this series which relates not to Russell Lee’s work with the Coal Mine Administration, but to his role as consultant to the President’s Commission on Coal in the late 1970s.

Series Description From the Series:

Arranged into subseries for correspondence to Russell Lee and to Jean Lee, this material is filed in alphabetical order by the name of the correspondent. The bulk of the correspondence to Russell Lee is comprised of letters from Jack Hurley regarding their collaboration on the book, Russell Lee: Photographer.

Series Description From the Series:

Arranged into subseries for correspondence to Russell Lee and to Jean Lee, this material is filed in alphabetical order by the name of the correspondent. The bulk of the correspondence to Russell Lee is comprised of letters from Jack Hurley regarding their collaboration on the book, Russell Lee: Photographer.

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series:

The bulk of this series is comprised of three of Russell Lee’s cameras and their accessories, such as his hand-held flash and various viewfinders. Also included is Lee’s Leitz 35mm enlarger, and his cap from his tenure with the Air Transport Command.

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series:

The collection contains 77 photographs of Russell Lee, the largest group known to exist. This group of photographs range from portraits by unknown studio photographers, to well known photographers such as Ave Bonar. Russell Lee is portrayed both in snapshots by anonymous photographers and candid photographs by military photographers in the Air Transport Command.

Series Description From the Series:

The collection contains 77 photographs of Russell Lee, the largest group known to exist. This group of photographs range from portraits by unknown studio photographers, to well known photographers such as Ave Bonar. Russell Lee is portrayed both in snapshots by anonymous photographers and candid photographs by military photographers in the Air Transport Command.

Series Description From the Series:

The collection contains 77 photographs of Russell Lee, the largest group known to exist. This group of photographs range from portraits by unknown studio photographers, to well known photographers such as Ave Bonar. Russell Lee is portrayed both in snapshots by anonymous photographers and candid photographs by military photographers in the Air Transport Command.

Series Description From the Series:

The collection contains 77 photographs of Russell Lee, the largest group known to exist. This group of photographs range from portraits by unknown studio photographers, to well known photographers such as Ave Bonar. Russell Lee is portrayed both in snapshots by anonymous photographers and candid photographs by military photographers in the Air Transport Command.

Series Description From the Series:

The collection contains 77 photographs of Russell Lee, the largest group known to exist. This group of photographs range from portraits by unknown studio photographers, to well known photographers such as Ave Bonar. Russell Lee is portrayed both in snapshots by anonymous photographers and candid photographs by military photographers in the Air Transport Command.

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series:

The three oil paintings in this series are not dated, but were created during the early 1930s, when Lee studied painting in Woodstock, NY. A friend suggested Lee buy a camera and take photographs to improve his painting technique; Lee did so and quickly became interested in photography. The painting of the man in this series remains unfinished as a result of Lee’s shift in artistic focus.