American literature -- Mexican American authors

Series Description The Macondo Foundation records span 2005-2012 and are arranged into the following series: Administrative Documents; Correspondence; Financial Records; Fundraising (Birthday Parties); General Nonprofit Information; Schedules, Lists, Addresses; Workshop Packets; Photographs, and DVDs. Although Cisneros began Macondo in 1995 around her kitchen table, the records date from when it was officially incorporated in 2006 to “support and unite writers who view their work and talents as part of a...

Scope and Contents

Subjects include Liliana Valenzuela (19 photographs)

Subseries Description From the Sub-Series:

Europe Poems were originally housed together in one folder and date from Cisneros’ time abroad in Greece, 1982-1983. Some were later published in My Wicked Wicked Ways and Loose Woman. The poems are arranged alphabetically, with untitled poems and fragments at the end.

Series Description From the Series: The extensive correspondence files span 1980-2013 and are arranged alphabetically by correspondent. Every correspondent is included in the container list, and when known, organizational affiliations are listed in parenthesis. Individuals with a significant quantity of letters include: Jeffrey Abrahams; Norma Alarcón; Dorothy Allison; Julia Alvarez; Beatrix Badikian; Gertrude Baker; Ruth Behar; Ronnie Burke; Norma Cantu; Ana Castillo; Denise Chávez; Carlos Cumpián; Ted Dvoracek; Gayle...

Series Description From the Series:

Publicity Material spans 1978-2014 and is divided into the following subseries: Cisneros Cover Stories; Magazines with Articles about Cisneros; Newspaper and Other Articles; Appearance Publicity; Oversized; and Book Publisher Catalogs.

Subseries Description From the Sub-Series:

Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.

Series Description From the Series: Reader Correspondence, 1990-2013, is arranged chronologically. Each year is separated into letters from individuals and letters from classes. The individual letters are typical fan letters and document the effect her writing has had on her readers. The class letters are often packets sent by teachers containing letters from students who have read her works in class, and sometimes thank-you letters from students whose class Cisneros visited. When known, the school name is included in the...

Subseries Description From the Sub-Series:

Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”

Series Description From the Series:

These writings about Cisneros are arranged chronologically from 1981-2012 and include academic articles, interviews, and writer’s biographies. Undated writings about Cisneros are housed in box 89 and are arranged alphabetically by author. Newspaper articles and publicity writings about Cisneros can be found in Series XIX: Publicity.

Scope and Contents

Subjects include [Norma Castro], Marcia Ochoa, Sonia, Yvonne, Norma A. (49 Photographs)

Scope and Contents

Subjects include Elvira Cordero Anguiano (9 photographs)

Series Description From the Series:

Arranged chronologically, Publications span 1970-2003 and include magazines and journals that contain contributions by Cisneros. The earliest items are literary magazines Now and Cadence, from Josephinum Academy and Loyola University, respectively. For each publication, the date and title of the Cisneros contribution is included in the container list. Oversized publications are in box 85.

Subseries Description From the Sub-Series: The largest subseries in Monographs is material relating to the writing and publication of Caramelo. Research, notes, chapter drafts, and book drafts document Cisneros’ writing process. Research files and notes provide evidence of the depth of research that went into the book, loosely based on her own family history. Included among the topics are immigration, Mexico, San Antonio, music, and war. Notes includes story development “road maps,” outlines, and files that Cisneros created on topics...

Sub-Series Description From the Sub-Series: The subseries Causes documented Cisneros’ interest in civic and global issues. Included are letters she wrote to the editors of carious newspapers (1995-2013); materials relating to her appearance at the 1996 Democratic National Convention; peace proposals; and files relating to the San Antonio Public Library – and specifically, the need to include more Latino and Latina voices. Also included is a number of files relating to the war in Sarajevo in 1989 – a place that Cisneros visited in...

Correspondents Marbut, Robert, 1998; Marello, Laura, 1982-1983, 1994; Margo, Adair (Texas Cultural Trust), 2010; Mariani, Philomena (Dia Center for the Arts), 1991; Marino, Lisa, 1989; [Markovizov], Maria, 1992; Marquez, Carmen, 2010; Marquez, Maria, 1995; Marquez, Teresa (The University of New Mexico), 1991, 1993; Marr, Patsy, 2001; Marrou, Valerie (Stockdale Independent School District), 2005; Marshall, Caroline, 1994; Marshall, Donald (The University of Illinois at Chicago),...

Subseries Description From the Sub-Series:

Portraits are formal, posed photographs of Cisneros, and are arranged chronologically. Photographers include her brother, Henry (Kiki) Cisneros, Joan Frederick, Alexandro Galindo, Ruben Guzman, Armando Rascón, Al Rendon, and Diana Solís, among others. Also included are a number of portraits of Cisneros with others, notably with her mother in 1998, and Gertrude Baker, Ruben Guzman, Denise Chavez, Jasna Karaula, and Emma Tenayuca.

Subseries Description From the Sub-Series: Early poems span 1971-1986 and are arranged alphabetically. Many were originally housed in two black binders. The first binder contents are in folders 1-51 and were from Cisneros’ time at The University of Iowa. The second binder is in folder 53 and contains early poems, many later published in My Wicked Wicked Ways. Additional early poems not originally housed in one of the two binders are listed alphabetically and include high school poems. Also included are titles with numerous...

Series Description From the Series: Reader Correspondence, 1990-2013, is arranged chronologically. Each year is separated into letters from individuals and letters from classes. The individual letters are typical fan letters and document the effect her writing has had on her readers. The class letters are often packets sent by teachers containing letters from students who have read her works in class, and sometimes thank-you letters from students whose class Cisneros visited. When known, the school name is included in the...

Scope and Contents

(23 photographs)

Series Description From the Series: Monographs represent a significant portion of the archive and include material relating to each of Cisneros’ published books, as well as her children’s storybooks. The series is arranged chronologically according to publication date: The House on Mango Street (1984); My Wicked Wicked Ways (1987); Woman Hollering Creek (1991); Loose Woman (1994); Caramelo (2002); A House of My Own (2015). Storybook materials follow: Hairs/Pelitos (1994); Bravo Bruno (2011); Have You Seen Marie? (2012);...