Feature films
Found in 965 Collections and/or Records:
Okra
Oldest Living Confederate Widow Tells All. Directed by Ken Cameron and starring Diane Lane, Cicely Tyson, and Donald Sutherland. (Black 3” binder), 1994
Binders containing scripts, costume designs, research, and other production materials relating to various television mini-series. Arranged chronologically by broadcast date.
On the Edge [The Other Side]. Written and directed by Mary Stuart Masterson and starring Anthony LaPaglia and Karen Sillas. (White 3” binder), 2001
Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.
On Valentine’s Day: Digital printout of female costume sketch, undated
One line schedule, January - September, 1991
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
One-line schedules, March 15 - April 14, 1993
6 part series, five of which aired August 1993 on CBS-TV.
Onion, bee, pig, cow, roadrunner, chicken
Opening title sequence
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Original typescript of partial draft, undated
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Oscar Wilde by Stephen Harrigan
6 part series, five of which aired August 1993 on CBS-TV.
Our Sons. Directed by John Erman and starring Ann-Margret, Julie Andrews and Hugh Grant. (Black 3” binder), 1991
Binders containing scripts, costume designs, research, photographs, and other production materials for television movies. Arranged chronologically by broadcast date.
Outlaws, (Paul Hogan): 1 costume sketch on watercolor board (15” x 20”), 1992
Original oversized watercolor sketches of costumes for various plays and film projects.
Outlines and notes
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Outlines, annotated
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Ovals, man & rifle
Oversized Original Sketches, 1982-2003, undated
Original oversized watercolor sketches of costumes for various plays and film projects.
Paperback
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Papers regarding Italy, 1940s (2 folders)
The smallest of the series, it consists of papers regarding Italy (1940s), information on a computer, clippings from the Bakker scandal (1987), and a playbill from Death of a Salesman.
Partial draft, March 15, 1986
Produced works comprise the bulk of the collection. It consists of screenplays, notes, publicity, and other production material for the films Bad Company, Kramer vs. Kramer, Still of the Night, Nadine, Places in the Heart, Billy Bathgate, and Nobody’s Fool.
Partial draft, January 3, 1983
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989