Feature films
Found in 965 Collections and/or Records:
1 design on watercolor paper for Opera Gala Benefit,(15” x 20”), 1988
Original oversized watercolor sketches of costumes for various plays and film projects.
2 designs on tissue paper for Julie Andrews Tony Awards, (14” x 17”), 1991
Original oversized watercolor sketches of costumes for various plays and film projects.
2 poster boards with clippings of men’s suits, 1980s
Original oversized watercolor sketches of costumes for various plays and film projects.
3rd draft, September 10, 1984 - January 3, 1985
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
8 color photographs of actors in Sarah Plain and Tall (8” x 10”), undated
Original oversized watercolor sketches of costumes for various plays and film projects.
11x14 color photograph from set
This series is the second largest and includes photographs from Still of the Night, Places in the Heart, Billy Bathgate, Nobody’s Fool, and Magic Hour.
84 Charlie, Patrick Duncan, undated
111 pages
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
1770-1820; Trappers, Shoes, Sioux, Arikawa, Mandans, Hidasta, Flatheads, Nez Perce, Chinoks (Green 3” binder), undated
Binders containing research on clothing, accessories, and styles for a variety of eras and also for a number of specific projects.
1830-1840; Men 1821-822; Men 1825, undated
Binders containing research on clothing, accessories, and styles for a variety of eras and also for a number of specific projects.
1830-1842; Women 1821-1822; Women 1825; Women 1830 (Black 4” binder), undated
Binders containing research on clothing, accessories, and styles for a variety of eras and also for a number of specific projects.
1845-1850 (Black 2” binder), undated
Binders containing research on clothing, accessories, and styles for a variety of eras and also for a number of specific projects.
1845-1870s; Farmers, Indians, Texas Rangers, Slaves, Mexicans 1840s (Green 3” binder), undated
Binders containing research on clothing, accessories, and styles for a variety of eras and also for a number of specific projects.
1855-1870 (Green 3” binder), undated
Binders containing research on clothing, accessories, and styles for a variety of eras and also for a number of specific projects.
1902-1906 (Black 4” binder), undated
Binders containing research on clothing, accessories, and styles for a variety of eras and also for a number of specific projects.
1918: 2 costume sketches on watercolor board (15” x 20”); 1 digital printout, 1983
Original oversized watercolor sketches of costumes for various plays and film projects.
1918: 23 original costume sketches, undated
Costume sketches by Van Broughton Ramsey for a variety of plays and films.
1918: Photographs of Matthew Broderick and other cast members. Also photos of On Valentines Day, and Mary Steenburgen in End of the Line, undated
Costume sketches by Van Broughton Ramsey for a variety of plays and films.
1930 (Black 3” binder), undated
Binders containing research on clothing, accessories, and styles for a variety of eras and also for a number of specific projects.
A Breeze from the Gulf: 1 costume sketch on watercolor paper (15” x 20”), 1982
Original oversized watercolor sketches of costumes for various plays and film projects.