Authors, American -- 20th century
Found in 1343 Collections and/or Records:
Reviews, 1995-1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1983-1984, 1994
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1985-1993
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews and play program for Atlanta production, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews and play program for Boston production, 1997
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews and play program for San Francisco production, 1997
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews and poster
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Reviews, correspondence, and bookmarks all related to Patoski’s writing, especially An Epic Life, undated
Variety of material including CDs, LPs, t-shirt and caps, posters, magazines, newspapers and newspaper clippings, drafts and manuscripts of work, photos, correspondence, music announcements and musician press kits, notes and notebooks, maps, brochures and other artifacts. Majority of material was not in files or labeled; file titles are in quotation marks when present.
“Reviews”-Newspaper clippings, undated
Articles, newspapers, correspondence, drafts, magazines, posters, badges, press releases, reviews, and books make up this collection from Joe R. Lansdale.
“Reviews”; reviews of books, 1991
“Reviews/Articles” – several issues of the Say What newsletter of the Stevie Ray Vaughan Fan Club, sample book cover for Caught in the Crossfire, and newspaper clippings about the book and SRV, undated
Variety of material including CDs, LPs, t-shirt and caps, posters, magazines, newspapers and newspaper clippings, drafts and manuscripts of work, photos, correspondence, music announcements and musician press kits, notes and notebooks, maps, brochures and other artifacts. Majority of material was not in files or labeled; file titles are in quotation marks when present.
“Riders of the Worm Hex”; Copies of journals, manuscript, DC Comic receipts, and letters, 1994-1995
“Riders of the Worm Hex”; Photos, letters, copies of comics, scripts and copies of story, 1995
“Rococo Blue”; by Joe R. Lansdale, manuscripts of book four, undated
Rough drafts. Chapters sent in by different authors, undated
Rough notes for Toast Master speech “Don’t hate because I’m beautiful” by JRL; one page “Science Fiction: The Taste Buds of our Tongues” by JRL; and layout for comic episode by JRL of Cowboy Up; hand written note by JRL describing typewriter, undated
Material includes manuscripts of work, some correspondence, comics featuring Lansdale’s work and his personal word processor.
Royalty statements and receipts, 1993-2004
Royalty Statements – University of Oklahoma Press, Red Crane Books
The series includes subseries of certificates, legal documents (including publisher correspondence), financial (limited financial documents), notes/story ideas (may provide insight into story generation process), personal papers (includes contacts and calendars), publicity (primarily interviews), readings, and general correspondence (identified by individual or sorted chronologically).
Rule of Capture compiled by the Texas Water Alliance Water Research Group, undated
Variety of material including CDs, LPs, t-shirt and caps, posters, magazines, newspapers and newspaper clippings, drafts and manuscripts of work, photos, correspondence, music announcements and musician press kits, notes and notebooks, maps, brochures and other artifacts. Majority of material was not in files or labeled; file titles are in quotation marks when present.