Authors, American -- 20th century
Found in 2670 Collections and/or Records:
Correspondence, 1997
Notice from Academy of Arts and Letters re: death of Alan Ginsberg, April 5, 1997
Aronowitz, Al, May 1, 1997
Adolphe, Bruce (to Judy Boals), August 14, 1997
"Santo,” October 21, 1997
Correspondence, 1998
Shepard, Sam (to Magic Theater ), April 29, 1998
Boals, Judy, July 23, 1998
Callahan, Michael (to Judy Boals), September 14, 1998
Correspondence, undated
"Freddie and Lara" (first names only)
McAdams, "Coach"
Multiple authors (first names only)
Correspondence, 1987-1989
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Correspondence, 1981-1982, undated
Books, manuscripts, sheet music, galleys, handwritten notes, and photographs in this collection relate primarily to Frazier’s 1983 biographical essay on SWT alumna Ponce Cruse Evans, author of the syndicated newspaper column, “Hints from Heloise”. Photographs and clippings relate to both Heloise Cruse Ponce, and her mother, Heloise Cruse. Dates range from 1981-1989. Books from this collection have been cataloged separately.
Correspondence, 1982-1998
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Correspondence, 1983-1997
The series includes subseries of certificates, legal documents (including publisher correspondence), financial (limited financial documents), notes/story ideas (may provide insight into story generation process), personal papers (includes contacts and calendars), publicity (primarily interviews), readings, and general correspondence (identified by individual or sorted chronologically).
Correspondence, 1952-2004, undated
The series includes subseries of certificates, legal documents (including publisher correspondence), financial (limited financial documents), notes/story ideas (may provide insight into story generation process), personal papers (includes contacts and calendars), publicity (primarily interviews), readings, and general correspondence (identified by individual or sorted chronologically).
Correspondence, 1991-2011
Articles, newspapers, correspondence, drafts, magazines, posters, badges, press releases, reviews, and books make up this collection from Joe R. Lansdale.
Correspondence, 1986-1987
Correspondence, undated
Variety of material including CDs, LPs, t-shirt and caps, posters, magazines, newspapers and newspaper clippings, drafts and manuscripts of work, photos, correspondence, music announcements and musician press kits, notes and notebooks, maps, brochures and other artifacts. Majority of material was not in files or labeled; file titles are in quotation marks when present.
Correspondence-2 holiday cards and 1 thank you note from the Texas Book Festival, undated
Additional material for writer Joe R. Lansdale’s archive collection, received August 31, 2012. This donation includes page proofs for Leather Maiden, correspondence, story ideas, notes, articles about Lansdale, convention and conference material, and material from La Milanesiana 2009. Folder titles in quotation marks indicate original labeling by Lansdale
Correspondence, both personal and professional; also includes correspondence to and from Bill Crawford , 1993-2007
Variety of material including CDs, LPs, t-shirt and caps, posters, magazines, newspapers and newspaper clippings, drafts and manuscripts of work, photos, correspondence, music announcements and musician press kits, notes and notebooks, maps, brochures and other artifacts. Majority of material was not in files or labeled; file titles are in quotation marks when present.
Correspondence concerning endorsements by authors, 1992
Correspondence, dates ranging from 2003 to 2006, contains one photo. Correspondents include Wayne Allen Sallee, Larry W. Osborne, Amon T. Betts, Laura Iourio, Pearce Hansen and Bill Evashwick, 2003-2006
Correspondence for The Second Trail of Tears. Correspondents include Choctaw Nation of Oklahoma, University of Oklahoma Press, and others, 1991-1993
Correspondence from 7 Stages director Faye Allen and from lighting designer Ann Millitello regarding the death of a friend named John Dodd, 1991, 1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence from Broyles to his parents, February 10, 1976 including a copy of letter he wrote to Representative Barbara Jordan, February 3, 1976 including his response to correspondence relating to his appearance on the Today Show; Correspondence from Broyles to his parents including Texas Monthly’s entry statement for the National Magazine Award for the Specialized Journalism category , April 7, 1976
Correspondence from fans of DC Comic Jonah Hex: Two-Gun Mojo # 1; most are photocopies, undated
Correspondence from Judy Boals, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
