Authors, American -- 20th century
Found in 2670 Collections and/or Records:
Restricted letters from Shepard’s son, Jesse
“Resurrection”; letter and synapsis by Joe R. Lansdale, June 29, 2001
“Retro Pulp Tales”; The introduction and other pages, undated
Returning the Gift Indian Writers Conference
The series includes subseries of certificates, legal documents (including publisher correspondence), financial (limited financial documents), notes/story ideas (may provide insight into story generation process), personal papers (includes contacts and calendars), publicity (primarily interviews), readings, and general correspondence (identified by individual or sorted chronologically).
Review by Shepard of Peter Handke’s novel The Weight of the World, including letter from Handke’s editor, Shepard’s draft and a copy of the essay published in Vanity Fair, September 1984
This series is comprised of a review by Shepard of Peter Handke’s novel The Weight of the World, including a letter from Handke’s editor, Shepard’s draft, and a copy of the essay as published in Vanity Fair, September 1984.
Review, New York Times, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Review requests, 1993, undated
Reviews
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Reviews
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Reviews
Drafts, manuscripts, and typescripts of Hauptman’s plays, teleplay, screenplays, short stories, poetry, novel, articles and criticism are located in this series. Titles under each genre are filed alphabetically. Related correspondence, reviews, clippings, publicity, and playbills are filed after the draft or script for each title.
Reviews, 1997
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1995-1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1983-1984, 1994
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1985-1993
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1991
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1993-1995
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1996-1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Reviews, 1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.