Publishers and publishing -- Texas

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.

Sub-Series Description From the Sub-Series:

A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Abstract From the Series: Material consists of numerous newspaper clippings, correspondence, drafts, galleys and proofs of material written by Cox, promotional materials for books, newsletters, and some notes from early college courses in journalism and photography. Material relates to Texana column written by Cox and to his position at DPS in medial relations. When possible, original file names are used and are indicated in quotation marks. Accession contains 133 photos and 3 color slides. A majority of the...

Abstract From the Series: Material consists of numerous newspaper clippings, correspondence, drafts, galleys and proofs of material written by Cox, promotional materials for books, newsletters, and some notes from early college courses in journalism and photography. Material relates to Texana column written by Cox and to his position at DPS in medial relations. When possible, original file names are used and are indicated in quotation marks. Accession contains 133 photos and 3 color slides. A majority of the...

Abstract From the Series:

Archival materials following the research of writer, Mike Cox, on the Texas Rangers. This collection is made up of government documents, drafts, stories, Ranger records, obituaries, and biographies of hundreds of former Rangers. The research begins right after the civil war up until the early 2000s.

Abstract From the Series:

Archival materials following the research of writer, Mike Cox, on the Texas Rangers. This collection is made up of government documents, drafts, stories, Ranger records, obituaries, and biographies of hundreds of former Rangers. The research begins right after the civil war up until the early 2000s.

Abstract From the Series:

Archival materials following the research of writer, Mike Cox, on the Texas Rangers. This collection is made up of government documents, drafts, stories, Ranger records, obituaries, and biographies of hundreds of former Rangers. The research begins right after the civil war up until the early 2000s.

Abstract From the Series:

Archival materials following the research of writer, Mike Cox, on the Texas Rangers. This collection is made up of government documents, drafts, stories, Ranger records, obituaries, and biographies of hundreds of former Rangers. The research begins right after the civil war up until the early 2000s.

Abstract From the Series:

Archival materials following the research of writer, Mike Cox, on the Texas Rangers. This collection is made up of government documents, drafts, stories, Ranger records, obituaries, and biographies of hundreds of former Rangers. The research begins right after the civil war up until the early 2000s.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."