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Drama

 Subject
Subject Source: Library of Congress Subject Headings
Scope Note: Here are entered works on drama as a literary form.

Found in 1053 Collections and/or Records:

Typescript of copyrighted version, 1964

 File — Box 20, Folder: 9-10
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: Copyright: 1964

Typescript of “Reunion in Bartersville” by Walker, including correspondence, Walker’s Bio, list of plays, articles about Walker, and her induction into TIL, (3 of 3) , 1987-2017

 File — Box 1673, Folder: 16
Abstract From the Series:

Donation by Celeste Bedford Walker of her typescript plays, “Distant Voices”, “Sassy Mamas”, “Greenwood: An American Dream Destroyed”, and “Reunion in Bartersville”, included in the collection are synopses, reviews, Walker’s Biography, and her induction into the Texas Institute of Letters, 1983-2017.

Dates: 1987-2017

Typescript of “Sassy Mamas” by Walker, including article “Laughter is the Heart of Loveable ‘Sassy Mamas’” by Wei-Huan Chen, (2 of 3) , 2007-2016

 File — Box 1673, Folder: 15
Abstract From the Series:

Donation by Celeste Bedford Walker of her typescript plays, “Distant Voices”, “Sassy Mamas”, “Greenwood: An American Dream Destroyed”, and “Reunion in Bartersville”, included in the collection are synopses, reviews, Walker’s Biography, and her induction into the Texas Institute of Letters, 1983-2017.

Dates: 2007-2016

Typescript rewrites

 File — Box 12, Folder: 2
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: circa 1980s

Typescripts

 File — Box 21, Folder: 5-7
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: 1978, undated

Typescripts of “Distant Voices” and “Greenwood": An American Dream Destroyed” by Walker commissioned by The Ensemble Theatre, including synopsis and reviews, (1 of 3) , October 1998

 File — Box 1673, Folder: 14
Abstract From the Series:

Donation by Celeste Bedford Walker of her typescript plays, “Distant Voices”, “Sassy Mamas”, “Greenwood: An American Dream Destroyed”, and “Reunion in Bartersville”, included in the collection are synopses, reviews, Walker’s Biography, and her induction into the Texas Institute of Letters, 1983-2017.

Dates: October 1998

[Un Viejo en la huerta…]

 File — Box 24, Folder: 17
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

Uncorrected proof, annotated

 File — Box 12, Folder: 6
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: circa 1980s

Unfinished Balcones and other published titles, undated

 File — Box 3, Folder: 1a
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: undated

Unfinished/unidentified

 File — Box 30, Folder: 11
Sub-Series Description From the Sub-Series:

This subseries includes short stories such as “The Morning of the First Day” and “The Morning and the Evening of the First Day”. Many are complete stories, some are fragments or are in draft form. Portions of these examples of Vliet’s early prose would later be worked into the author’s novels.

Dates: 1957-1963, undated

Unidentified annotated typescript, undated

 File — Box 9, Folder: 1-2
Series Description From the Series:

This series comprises the bulk of the collection and includes drafts, typescripts, annotated typescripts, and bound typescripts of published and unpublished novels.

Dates: undated

Unidentified annotated typescript fragment, undated

 Sub-Series — Box 19, Folder: 6
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: undated

Unidentified Chapters

 File — Box 11, Folder: 1-4
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: circa 1980s

Unidentified Screenplays, undated

 File — Box 11, Folder: 3
Series Description From the Series:

This series holds drafts of plays and screenplays written by Zagst. Also included are several book reviews authored by Zagst which were published in The Houston Chronicle.

Dates: undated

Universities, correspondence, 1976-1979

 File — Box 25, Folder: 5
Series Description From the Series:

This series contains journals, address books, correspondence, contracts, royalty payments, articles, clippings and photographs. The major part of the material relates to A Texas Trilogy and is made up of communications with agents, fans, and theaters concerning options on the plays. Included is correspondence with Hal Wallis in regard to the movie production of the Trilogy.

Dates: 1976-1979

University of Minnesota, Twin Cities video, 1981-1982

 File — Box 12, Folder: 6
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: 1981-1982

University of New Mexico yearbook, 1956

 File — Box 1, Folder: 5
Series Description From the Series: This series outlines Preston Jones' life before he became known as a playwright. It begins with photographs, articles and memorabilia of his father, James "Jawbone" Jones. It continues with boyhood photographs, yearbooks, memorabilia and drawings from his elementary school, high school, and college in New Mexico. Class notes, designs, school records, and diplomas represent his master's work in playwrighting from Baylor University in Waco and Trinity University in San Antonio, Texas. ...
Dates: 1956

University of Texas, 1982

 File — Box 33, Folder: 4
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1982

University Theatre (University of Nebraska), 1959

 File — Box 33, Folder: 5
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1959

Unproduced Writings, 1966, undated

 Sub-Series
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: 1966, undated