Drama
Found in 1053 Collections and/or Records:
Typescript of copyrighted version, 1964
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
Typescript of “Reunion in Bartersville” by Walker, including correspondence, Walker’s Bio, list of plays, articles about Walker, and her induction into TIL, (3 of 3) , 1987-2017
Donation by Celeste Bedford Walker of her typescript plays, “Distant Voices”, “Sassy Mamas”, “Greenwood: An American Dream Destroyed”, and “Reunion in Bartersville”, included in the collection are synopses, reviews, Walker’s Biography, and her induction into the Texas Institute of Letters, 1983-2017.
Typescript of “Sassy Mamas” by Walker, including article “Laughter is the Heart of Loveable ‘Sassy Mamas’” by Wei-Huan Chen, (2 of 3) , 2007-2016
Donation by Celeste Bedford Walker of her typescript plays, “Distant Voices”, “Sassy Mamas”, “Greenwood: An American Dream Destroyed”, and “Reunion in Bartersville”, included in the collection are synopses, reviews, Walker’s Biography, and her induction into the Texas Institute of Letters, 1983-2017.
Typescript rewrites
Typescripts
Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.
Typescripts of “Distant Voices” and “Greenwood": An American Dream Destroyed” by Walker commissioned by The Ensemble Theatre, including synopsis and reviews, (1 of 3) , October 1998
Donation by Celeste Bedford Walker of her typescript plays, “Distant Voices”, “Sassy Mamas”, “Greenwood: An American Dream Destroyed”, and “Reunion in Bartersville”, included in the collection are synopses, reviews, Walker’s Biography, and her induction into the Texas Institute of Letters, 1983-2017.
[Un Viejo en la huerta…]
Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.
Uncorrected proof, annotated
Unfinished Balcones and other published titles, undated
Unfinished/unidentified
This subseries includes short stories such as “The Morning of the First Day” and “The Morning and the Evening of the First Day”. Many are complete stories, some are fragments or are in draft form. Portions of these examples of Vliet’s early prose would later be worked into the author’s novels.
Unidentified annotated typescript, undated
This series comprises the bulk of the collection and includes drafts, typescripts, annotated typescripts, and bound typescripts of published and unpublished novels.
Unidentified annotated typescript fragment, undated
Unidentified Chapters
Unidentified Screenplays, undated
This series holds drafts of plays and screenplays written by Zagst. Also included are several book reviews authored by Zagst which were published in The Houston Chronicle.
Universities, correspondence, 1976-1979
This series contains journals, address books, correspondence, contracts, royalty payments, articles, clippings and photographs. The major part of the material relates to A Texas Trilogy and is made up of communications with agents, fans, and theaters concerning options on the plays. Included is correspondence with Hal Wallis in regard to the movie production of the Trilogy.