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Drama

 Subject
Subject Source: Library of Congress Subject Headings
Scope Note: Here are entered works on drama as a literary form.

Found in 943 Collections and/or Records:

Texas folklore photocopies

 File — Box 32, Folder: 5
Sub-Series Description From the Sub-Series:

Handwritten and typed notes, clippings, and photocopies, arranged in alphabetical order by the author’s subject categories, comprise the majority of this subseries. Also included are several folders of topographical and road maps of various Texas counties and other locations.

Dates: undated

Texas Foundation for Women’s Resources, “Texas Women: A Celebration of History,” Gala Opening, notes, programs, schedule of events, set designs, and script, May 9, 1981

 File — Box 10, Folder: 5
Series Description From the Series: The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates: May 9, 1981

Texas Institute of Letters, correspondence and newsletters, 1975-1976

 File — Box 24, Folder: 14
Series Description From the Series:

This series contains journals, address books, correspondence, contracts, royalty payments, articles, clippings and photographs. The major part of the material relates to A Texas Trilogy and is made up of communications with agents, fans, and theaters concerning options on the plays. Included is correspondence with Hal Wallis in regard to the movie production of the Trilogy.

Dates: 1975-1976

Texas Institute of Letters (including Paisano fellowship notes, application), 1967 - 1983

 File — Box 33, Folder: 1
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1967 - 1983

Texas Institute of Letters Short Story Competition, undated

 File — Box 10, Folder: 1-2
Series Description From the Series:

This series contains short stories written by Zagst, arranged alphabetically. Also included are stories from the Texas Institute of Letters short story competition.

Dates: undated

Texas Institute of Letters Short Story Competition , undated

 File — Box 9, Folder: 5
Series Description From the Series:

This series contains short stories written by Zagst, arranged alphabetically. Also included are stories from the Texas Institute of Letters short story competition.

Dates: undated

Texas Institute of Letters/Dobie Paisano Fellowship Applications and Brochures, 1986 - 1990

 Series
Series Description

Applications and brochures regarding the Texas Institute of Letters / Dobie Paisano Fellowship for the years 1986-1987 and 1989-1990.

Dates: 1986 - 1990

Texas Observer, 1980

 File — Box 33, Folder: 2
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1980

Texas Quarterly (University of Texas), 1963

 File — Box 33, Folder: 3
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1963

Texas records, 1949-1983, undated

 Series
Series Description The first subseries, Education and Training, contains Mary Sue's yearbooks, class notes, and her thesis from her years at Baylor University, where she gained her undergraduate and masters degrees in drama. Also included are slides of the 1952 trip to Paris made by the Baylor Drama students with Paul Baker. The next subseries, Acting, Design, and Directing Career, contains records, audiotapes, photographs, slides, posters, letters, scripts, set designs and costume designs. The...
Dates: 1949-1983, undated

Texas Trilogy memorabilia, Mary Sue Jones’ personal items (key chains, teapot, paintings, etc.), props from various plays, part of Preston Jones’ teddy bear collection

 File — Box 37
Series Description From the Series:

This series contains World War I memorablia, material relating The Texas Trilogy, and personal items.

Dates: undated

Texas Trilogy, photographs and negatives, 1976

 File — Box 24, Folder: 3
Series Description From the Series:

This series contains journals, address books, correspondence, contracts, royalty payments, articles, clippings and photographs. The major part of the material relates to A Texas Trilogy and is made up of communications with agents, fans, and theaters concerning options on the plays. Included is correspondence with Hal Wallis in regard to the movie production of the Trilogy.

Dates: 1976

Texas Trilogy programs and poster, 1976-1977

 File — Box 7, Folder: 7
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: 1976-1977

“That Sense”

 File — Box 24, Folder: 23
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

The American Falls, undated

 Sub-Series
Series Description From the Series:

This series comprises the bulk of the collection and includes drafts, typescripts, annotated typescripts, and bound typescripts of published and unpublished novels.

Dates: undated

“The Ants” annotated typescript

 File — Box 30, Folder: 1
Sub-Series Description From the Sub-Series:

This subseries includes short stories such as “The Morning of the First Day” and “The Morning and the Evening of the First Day”. Many are complete stories, some are fragments or are in draft form. Portions of these examples of Vliet’s early prose would later be worked into the author’s novels.

Dates: 1957-1963, undated

“The Arid Spell”, undated

 File — Box 20, Folder: 3
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: undated

The Arts: Years of Development, Time of Decision, with suggested program and time schedule, September 29, 1975

 File — Box 13, Folder: 5
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: September 29, 1975

The Black Iota, undated

 File — Box 5, Folder: 4
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: undated

The Crucible, by Arthur Miller, script, background information, and notes

 File — Box 20, Folder: 6-7
Series Description From the Series: Mary Sue Jones left the Dallas Theater Center in 1983 and joined the College of Santa Fe as artist in residence. She taught and directed at the Greer Garson Theater Center becoming a full time faculty member at the College of Santa Fe in 1988. The first subseries, Teaching and Directing, contains class notes, student theses, reviews of College productions, and notes on faculty and college administration. Besides her own theater work, Mary Sue continued to manage the rights to Preston's...
Dates: 1977, 1980, 1987, undated