Photography

Series Description From the Series:

Photographs of Pie Town and San Augustine by Kathleen Dolan, Kerri Madden, Daryl Meyer, and Mark Edward Smith are included in this series. They are arranged by photographer in alphabetical order, then in groups featuring Pie Town and San Augustine.

Series Description From the Series:

Oral Histories includes audiocassette tapes and transcriptions of oral histories taken by team members are arranged into Subseries A: Pie Town, New Mexico, and Subseries B: San Augustine, Texas. Under each town, materials are filed in alphabetical order by the name of the subject, with the audiocassette tapes first, followed by the transcripts. Most tapes have transcriptions, several do not.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Sub-Series Description From the Sub-Series:

The film was eventually produced in 2013 starring Robert Duvall.

Sub-Series Description From the Sub-Series: Thaddeus Rose and Eddie was the first script written by Wittliff to be produced. The working title was "Sledge and Eddie," and some of the early drafts are titled as such. Wittliff's agent brought the script to the attention of producers Rod Sheldon and Dan Paulson. The TV movie was directed by Texas director Jack Starrett and starred Bo Hopkins and Johnny Cash. The film aired on the CBS network Friday Night Movies, February 24, 1978 to generally favorable reviews. The production brought...

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

Oral Histories includes audiocassette tapes and transcriptions of oral histories taken by team members are arranged into Subseries A: Pie Town, New Mexico, and Subseries B: San Augustine, Texas. Under each town, materials are filed in alphabetical order by the name of the subject, with the audiocassette tapes first, followed by the transcripts. Most tapes have transcriptions, several do not.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Series Description From the Series:

The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.

Sub-Series Description From the Sub-Series: Original carved and inked woodblocks created by Barbara Whitehead commissioned by the Encino Press. These blocks have been scanned and printed on plain paper for ease of access. See print-outs and accompanying zip-disks in box 877. Print-outs are annotated with either a title taken from the block or simply a descriptive cataloger-assigned title; these are the titles listed in this quide. Prnt-outs are also annotated with the titles of books in which the images appeared, such as: Deep Like...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...

Series Description From the Series: Arranged in chronological order by following Lee’s career, this series consists of 352 photographs. Two-hundred forty-eight of these photographs by Russell Lee were taken for the Farm Security Administration (FSA) between 1936 and 1942. The gems of this part of the collection are the 130 vintage prints; most are complete with captions typed on the back by FSA staff. Making up the balance of the FSA group are 94 modern prints, 6 panels from the 1965 retrospective at the University of Texas,...