Photography
Found in 1325 Collections and/or Records:
Russell Lee Collection
Francine Carraro / Eric Weller "Retracing Russell Lee" Project Collection
This collection includes oral histories recorded on audio cassette tapes, transcriptions, videotapes, photographs, notes, and exhibit text panels which document this project, retracing FSA photographer Russell Lee’s Depression era work in Pie Town, NM and San Augustine, TX.
Legal Documents, 1914, 1939-1991
Documents including and relating to the will of Russell Lee’s maternal grandmother, Eva Werner, comprise the first subseries of this series, and relate in part to a half-sister of Lee’s. Other documents include a divorce decree for Russell Lee and his first wife, birth and marriage certificates for Russell and Jean Lee, passports for both Lees, and financial records related to a household employee.
Legends of the Fall , 1990 - 1993, 1994
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Legends of the Fall , January 22, 1992
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Legends of the Fall , February 5, 1992
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Legends of the Fall , March 16 - July 6, 1993
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Leitz 35mm enlarger
The bulk of this series is comprised of three of Russell Lee’s cameras and their accessories, such as his hand-held flash and various viewfinders. Also included is Lee’s Leitz 35mm enlarger, and his cap from his tenure with the Air Transport Command.
[Leroy], 1991
Photographs of Pie Town and San Augustine by Kathleen Dolan, Kerri Madden, Daryl Meyer, and Mark Edward Smith are included in this series. They are arranged by photographer in alphabetical order, then in groups featuring Pie Town and San Augustine.
Leroy Lane, 1991
Photographs of Pie Town and San Augustine by Kathleen Dolan, Kerri Madden, Daryl Meyer, and Mark Edward Smith are included in this series. They are arranged by photographer in alphabetical order, then in groups featuring Pie Town and San Augustine.
Lester Jackson, 1991
Photographs of Pie Town and San Augustine by Kathleen Dolan, Kerri Madden, Daryl Meyer, and Mark Edward Smith are included in this series. They are arranged by photographer in alphabetical order, then in groups featuring Pie Town and San Augustine.
Lester Jackson's House, 1991
Photographs of Pie Town and San Augustine by Kathleen Dolan, Kerri Madden, Daryl Meyer, and Mark Edward Smith are included in this series. They are arranged by photographer in alphabetical order, then in groups featuring Pie Town and San Augustine.
Letter by Jim Hightower serving as exhibit text celebrating Russell Lee’s political campaign photographs of Ralph Yarborough, unidentified exhibit location/date. Booklet featuring Lee’s photos of Yarborough, 1954-1957
This series includes catalogs, a booklet, and a poster related to exhibits of Russell Lee’s works (one exhibit by the Coal Mine Administration in 1947, one by the University of Texas at Austin in 1965, and one by Texas A&M in 1986). Articles related Lee’s work in general complete this series
Letters, minutes, 1983 - 1984
Letters sent to Russell Lee relating to his capacity as a consultant to the President’s Commission on Coal (3), 1979
Correspondence, financial documents, and guidelines and working papers comprise this series which relates not to Russell Lee’s work with the Coal Mine Administration, but to his role as consultant to the President’s Commission on Coal in the late 1970s.
Letters to Jean Lee, 1989-1990
Arranged into subseries for correspondence to Russell Lee and to Jean Lee, this material is filed in alphabetical order by the name of the correspondent. The bulk of the correspondence to Russell Lee is comprised of letters from Jack Hurley regarding their collaboration on the book, Russell Lee: Photographer.
Letters to Russell Lee, 1918, 1942, 1972-1979
Arranged into subseries for correspondence to Russell Lee and to Jean Lee, this material is filed in alphabetical order by the name of the correspondent. The bulk of the correspondence to Russell Lee is comprised of letters from Jack Hurley regarding their collaboration on the book, Russell Lee: Photographer.
Liberty, 1991
Photographs of Pie Town and San Augustine by Kathleen Dolan, Kerri Madden, Daryl Meyer, and Mark Edward Smith are included in this series. They are arranged by photographer in alphabetical order, then in groups featuring Pie Town and San Augustine.
Lined script, April 23, 1984 / September 16, 1988
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Lined Script, 1985
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.