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Cartoonists -- United States

 Subject
Subject Source: Library of Congress Subject Headings

Found in 423 Collections and/or Records:

“Please Buy This 16 Month Calendar: It’s days are Numbered Sept. 1968-Dec. 1969”; Hallmark sixteen-month calendar featuring work by Charles Barsotti, September 1968-December 1969

 File — Box 2878, Folder: 2
Abstract From the Series:

Archival material from the noted Saturday Evening Post and The New Yorker cartoonist Charles Barsotti dating 1963-2012. Materials include cartooning project files for various companies. The bulk of the project files consist of correspondence, news clippings, rough and original illustrations, payment invoices and newsletter issues containing illustrations by Barsotti. One oversize box contains large calendars featuring illustrations by Barsotti.

Dates: September 1968-December 1969

Pony Express Rider screening. Guest-starring Ken Curtis, Slim Pickens, and Ace Reid (among others in Kerrville)

 Item — Box 2
Abstract From the Series: An extensive collection of original cowpoke artwork by Asa “Ace” Reid. The bulk of the accession consists of 75 framed pen and ink cartoons, and there are another 35 unframed in box 1. Also framed are 14 original watercolors by Reid, a 6-foot oil painting of Reid, and a banner from Ruidoso Downs. There are several photographs of Ace Reid by himself and with others, as well as photographs of notables such as Governor John Connally, Hank Thompson, and Slim Pickens. Artifacts include Reid’s...
Dates: 1956 - 1995

Post script pages full of cartoon drawings from a magazine, 1962

 File — Box 2782, Folder: 19
Abstract From the Series:

A collection of donated items from Ramoth Barsotti displaying cartoons that have been created by Charles Barsotti. The drawings can be seen in The Saturday Evening Post. The collection also includes newspaper articles, clippings, and correspondence, 1915-2015. The folder titles preceding a semicolon reflect Barsotti’s original descriptions.

Dates: 1962

Posters

 Sub-Series
Abstract From the Series: An extensive collection of original cowpoke artwork by Asa “Ace” Reid. The bulk of the accession consists of 75 framed pen and ink cartoons, and there are another 35 unframed in box 1. Also framed are 14 original watercolors by Reid, a 6-foot oil painting of Reid, and a banner from Ruidoso Downs. There are several photographs of Ace Reid by himself and with others, as well as photographs of notables such as Governor John Connally, Hank Thompson, and Slim Pickens. Artifacts include Reid’s...
Dates: 1956 - 1995

Proclamations, 1961, 1963

 Sub-Series
Abstract From the Series: An extensive collection of original cowpoke artwork by Asa “Ace” Reid. The bulk of the accession consists of 75 framed pen and ink cartoons, and there are another 35 unframed in box 1. Also framed are 14 original watercolors by Reid, a 6-foot oil painting of Reid, and a banner from Ruidoso Downs. There are several photographs of Ace Reid by himself and with others, as well as photographs of notables such as Governor John Connally, Hank Thompson, and Slim Pickens. Artifacts include Reid’s...
Dates: 1961, 1963

“Pup Sketches”; Faxes and Sketches between Charley and Mark Steen, June 1992

 File — Box 3118, Folder: 3
Abstract From the Series: Additional archival material relating to the work and drawings of Charles Barsotti from 1991-1994. The majority of the material within the collection consists of original sketches of the NiceDay pup and other characters he created for WH Smith Supplies, along with faxes mainly between Mark Steen and Charles Barsotti. The collection also included newspapers, the Creative Review, an Office Supplies Catalogue and an Annual Report 1993 that all contained the NiceDay pup drawings, transaction...
Dates: June 1992

“Pup Sketches”; Faxes and Sketches between Charley and Mark Steen, July 1992

 File — Box 3118, Folder: 6
Abstract From the Series: Additional archival material relating to the work and drawings of Charles Barsotti from 1991-1994. The majority of the material within the collection consists of original sketches of the NiceDay pup and other characters he created for WH Smith Supplies, along with faxes mainly between Mark Steen and Charles Barsotti. The collection also included newspapers, the Creative Review, an Office Supplies Catalogue and an Annual Report 1993 that all contained the NiceDay pup drawings, transaction...
Dates: July 1992

“Quit it Jake, you know I can’t stand anybody abusin’ a saddle like that!”, January 6, 1985

 Item — Box 2
Abstract From the Series: An extensive collection of original cowpoke artwork by Asa “Ace” Reid. The bulk of the accession consists of 75 framed pen and ink cartoons, and there are another 35 unframed in box 1. Also framed are 14 original watercolors by Reid, a 6-foot oil painting of Reid, and a banner from Ruidoso Downs. There are several photographs of Ace Reid by himself and with others, as well as photographs of notables such as Governor John Connally, Hank Thompson, and Slim Pickens. Artifacts include Reid’s...
Dates: January 6, 1985

“Ralph: A 16-Month Calendar Sept. 1967-Dec. 1968”; Hallmark sixteen-month calendar featuring work by Charles Barsotti, September 1967- December 1968

 File — Box 2878, Folder: 1
Abstract From the Series:

Archival material from the noted Saturday Evening Post and The New Yorker cartoonist Charles Barsotti dating 1963-2012. Materials include cartooning project files for various companies. The bulk of the project files consist of correspondence, news clippings, rough and original illustrations, payment invoices and newsletter issues containing illustrations by Barsotti. One oversize box contains large calendars featuring illustrations by Barsotti.

Dates: September 1967- December 1968

“Reckon why the boss threw such a fit about that old cow being near the fence?”, 1956

 Item — Box 2
Abstract From the Series: An extensive collection of original cowpoke artwork by Asa “Ace” Reid. The bulk of the accession consists of 75 framed pen and ink cartoons, and there are another 35 unframed in box 1. Also framed are 14 original watercolors by Reid, a 6-foot oil painting of Reid, and a banner from Ruidoso Downs. There are several photographs of Ace Reid by himself and with others, as well as photographs of notables such as Governor John Connally, Hank Thompson, and Slim Pickens. Artifacts include Reid’s...
Dates: 1956

Ace Reid Accessions

 Collection
Identifier: UPWC-18157
Abstract An extensive collection of original cowpoke artwork by Asa “Ace” Reid. The bulk of the accession consists of 75 framed pen and ink cartoons, and there are another 35 unframed in box 1. Also framed are 14 original watercolors by Reid, a 6-foot oil painting of Reid, and a banner from Ruidoso Downs. There are several photographs of Ace Reid by himself and with others, as well as photographs of notables such as Governor John Connally, Hank Thompson, and Slim Pickens. Artifacts include Reid’s...
Dates: 1956 - 1995

Rex Allen and Ace Reid at the Draggin S Ranch, 1968-02-01T00:00:00+00:00

 Item — Box 1, Folder: 1
Abstract From the Series: An extensive collection of original cowpoke artwork by Asa “Ace” Reid. The bulk of the accession consists of 75 framed pen and ink cartoons, and there are another 35 unframed in box 1. Also framed are 14 original watercolors by Reid, a 6-foot oil painting of Reid, and a banner from Ruidoso Downs. There are several photographs of Ace Reid by himself and with others, as well as photographs of notables such as Governor John Connally, Hank Thompson, and Slim Pickens. Artifacts include Reid’s...
Dates: 1968-02-01T00:00:00+00:00

Rex Allen signed, “Ace, you go to “hell”

 Item — Box 1
Abstract From the Series: An extensive collection of original cowpoke artwork by Asa “Ace” Reid. The bulk of the accession consists of 75 framed pen and ink cartoons, and there are another 35 unframed in box 1. Also framed are 14 original watercolors by Reid, a 6-foot oil painting of Reid, and a banner from Ruidoso Downs. There are several photographs of Ace Reid by himself and with others, as well as photographs of notables such as Governor John Connally, Hank Thompson, and Slim Pickens. Artifacts include Reid’s...
Dates: 1979, undated

Ruidoso Downs; Horse is wearing the “1st Annual Ace Reid Purse” banner, framed item 081, 1967

 Item — Box 1, Folder: 1
Abstract From the Series: An extensive collection of original cowpoke artwork by Asa “Ace” Reid. The bulk of the accession consists of 75 framed pen and ink cartoons, and there are another 35 unframed in box 1. Also framed are 14 original watercolors by Reid, a 6-foot oil painting of Reid, and a banner from Ruidoso Downs. There are several photographs of Ace Reid by himself and with others, as well as photographs of notables such as Governor John Connally, Hank Thompson, and Slim Pickens. Artifacts include Reid’s...
Dates: 1967

“Safe Solve, Document Wallet”; NiceDay Pup and Bird Drawings and FedEx Receipt, March 4, 1992

 File — Box 3118, Folder: 23
Abstract From the Series: Additional archival material relating to the work and drawings of Charles Barsotti from 1991-1994. The majority of the material within the collection consists of original sketches of the NiceDay pup and other characters he created for WH Smith Supplies, along with faxes mainly between Mark Steen and Charles Barsotti. The collection also included newspapers, the Creative Review, an Office Supplies Catalogue and an Annual Report 1993 that all contained the NiceDay pup drawings, transaction...
Dates: March 4, 1992

“Saturday Evening Post”; a newspaper clipping, correspondence, and a cutout magazine article, 1967 - 2009

 File — Box 2782, Folder: 20
Abstract From the Series:

A collection of donated items from Ramoth Barsotti displaying cartoons that have been created by Charles Barsotti. The drawings can be seen in The Saturday Evening Post. The collection also includes newspaper articles, clippings, and correspondence, 1915-2015. The folder titles preceding a semicolon reflect Barsotti’s original descriptions.

Dates: 1967 - 2009

Saturday Evening Post checklist on a yellow paper, and a hand-written letter from Ramoth Barsotti, February 2, 2018

 File — Box 2782, Folder: 13
Abstract From the Series:

A collection of donated items from Ramoth Barsotti displaying cartoons that have been created by Charles Barsotti. The drawings can be seen in The Saturday Evening Post. The collection also includes newspaper articles, clippings, and correspondence, 1915-2015. The folder titles preceding a semicolon reflect Barsotti’s original descriptions.

Dates: February 2, 2018

“Saturday Evening Post Correspondence Newspaper Clips & Cartoons”; Correspondence, original drawings, newsletters and newspaper clippings pertaining to Barsotti’s work for the Saturday Evening Post/Curtis Publishing Company , 1963 - 1968

 File — Box 2877, Folder: 15
Abstract From the Series:

Archival material from the noted Saturday Evening Post and The New Yorker cartoonist Charles Barsotti dating 1963-2012. Materials include cartooning project files for various companies. The bulk of the project files consist of correspondence, news clippings, rough and original illustrations, payment invoices and newsletter issues containing illustrations by Barsotti. One oversize box contains large calendars featuring illustrations by Barsotti.

Dates: 1963 - 1968

“Saturday originals w/clips”; clipping of cartoon drawings from a magazine, and torn out magazine pages with cartoons, 1967 - 2012

 File — Box 2782, Folder: 15
Abstract From the Series:

A collection of donated items from Ramoth Barsotti displaying cartoons that have been created by Charles Barsotti. The drawings can be seen in The Saturday Evening Post. The collection also includes newspaper articles, clippings, and correspondence, 1915-2015. The folder titles preceding a semicolon reflect Barsotti’s original descriptions.

Dates: 1967 - 2012

“Saturday Review originals”; two cartoon drawings, March 2014

 File — Box 2782, Folder: 14
Abstract From the Series:

A collection of donated items from Ramoth Barsotti displaying cartoons that have been created by Charles Barsotti. The drawings can be seen in The Saturday Evening Post. The collection also includes newspaper articles, clippings, and correspondence, 1915-2015. The folder titles preceding a semicolon reflect Barsotti’s original descriptions.

Dates: March 2014