Motion pictures -- Production and direction
Found in 1879 Collections and/or Records:
Warren Zevon. Austin Opry House. Poster by [Danny] Garrett, June 2, 1978
Posters are divided into Willie Nelson and non-Willie Nelson subseries. The Nelson posters include ones for the sixth annual Fourth of July picnic; Honeysuckle Rose, and two advertising concerts. The bulk of the non-Willie Nelson posters are for concerts at the Austin Opry House by performers such as The Charlie Daniels Band, Kinky Friedman, Dave Loggins, The Lost Gonzo Band, and Taj Mahal.
“We Are the World/Wild Horses of America.” VHS., undated
Weber, Bruce. Photocopy of proposed book of photographs of Shepard to raise funds for Film Forum Theater, 1990
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Wenders, Wim and Dommartin, Solveig, story. Almereyda, Michael, screenplay. "Until the End of the World, "typescript, with letter from Wenders, 1987-1988
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
“West Texas Songwriters Special Austin City Limits 8/31/82” and “With Butch Hancock, Townes Van Zandt, David Halley, Jimmie Gilmore”, August 31, 1982
Western Social Science Association 37th Annual Conference Abstract Book
When the World Was Green (1996)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Whirligig, 1976
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
“Who’ll Buy My Memories” (damaged), August 8, 1983
Wilfrid Gordon McDonald Partridge’s special Christmas shot lists
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
Willa Brown: An American Aviator, 1996-1997
"Willa Brown: An American Aviator” publicity card
Williams, Tennessee. "The Man in the Overstuffed Chair," photocopy from published source
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
