Motion pictures -- Production and direction
Found in 1879 Collections and/or Records:
The Fire in Jeremy’s Lap, undated
“The Glory and the Power”, September 12, 1990
“The Headlights “Test the Spirit” Demo recorded at Willie Nelson’s studio”, undated
The Hooded Man
6 part series, five of which aired August 1993 on CBS-TV.
“The Hungry Years”, undated
The Last Americans screenplay (co-written with Carl Mumm)
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
The Lost Gonzo Band, “Benefit of the Doubt: A Reunion,” with Gary P. Nunn, Robert Livingston, John Inmon, Paul Pearcy, Jerry Jeff Walker, and Ray Wylie Hubbard. Armadillo. Poster by [Danny] Garrett, February 7, 1980
Posters are divided into Willie Nelson and non-Willie Nelson subseries. The Nelson posters include ones for the sixth annual Fourth of July picnic; Honeysuckle Rose, and two advertising concerts. The bulk of the non-Willie Nelson posters are for concerts at the Austin Opry House by performers such as The Charlie Daniels Band, Kinky Friedman, Dave Loggins, The Lost Gonzo Band, and Taj Mahal.
“The Lost Year” (fragment of a script for an uncompleted stage play based in part on Tomás Rivera’s …y no se lo tragó la tierra.)
“The Making of Red Headed Stranger #68344.” VHS
The Mask of Aztlan, 1983 - 1985
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
The Mask of Aztlan, January 17, 1985
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
The National Endowment for the Humanities, 1990
The Non-Graduate, Bill Dana Production, 1969
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
“The Picnic 1985.” [BADTVs coverage of the music concert- The Picnic, includes behind the scenes footage recorded off TV]. VHS, 1985
"The Piñata Makers" – Photographs
“The Real War 1939-1945” Atlantic Monthly article, plus photocopy
“The Restless Conscience”, 1990
The Terrible Teague Bunch, 1975
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
The Treaty teleplay, 1982
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
The Unseen Hand and Other Plays (1996)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
