Motion pictures -- Production and direction
Found in 1620 Collections and/or Records:
The Challengers Aero Club, 2009-2010
The Charlie Daniels Band. Austin Opry House. Poster by [Danny] Garrett [2 copies; slightly different colors], June 30-July 1, 1978
Posters are divided into Willie Nelson and non-Willie Nelson subseries. The Nelson posters include ones for the sixth annual Fourth of July picnic; Honeysuckle Rose, and two advertising concerts. The bulk of the non-Willie Nelson posters are for concerts at the Austin Opry House by performers such as The Charlie Daniels Band, Kinky Friedman, Dave Loggins, The Lost Gonzo Band, and Taj Mahal.
The Cowboy Way, 1986 - 1993
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.
“The Creative Faculty”, September 1990
The Fire in Jeremy’s Lap, undated
“The Glory and the Power”, September 12, 1990
“The Headlights “Test the Spirit” Demo recorded at Willie Nelson’s studio”, undated
The Hooded Man
6 part series, five of which aired August 1993 on CBS-TV.
“The Hungry Years”, undated
The Lost Gonzo Band, “Benefit of the Doubt: A Reunion,” with Gary P. Nunn, Robert Livingston, John Inmon, Paul Pearcy, Jerry Jeff Walker, and Ray Wylie Hubbard. Armadillo. Poster by [Danny] Garrett, February 7, 1980
Posters are divided into Willie Nelson and non-Willie Nelson subseries. The Nelson posters include ones for the sixth annual Fourth of July picnic; Honeysuckle Rose, and two advertising concerts. The bulk of the non-Willie Nelson posters are for concerts at the Austin Opry House by performers such as The Charlie Daniels Band, Kinky Friedman, Dave Loggins, The Lost Gonzo Band, and Taj Mahal.
“The Lost Year” (fragment of a script for an uncompleted stage play based in part on Tomás Rivera’s …y no se lo tragó la tierra.)
“The Making of Red Headed Stranger #68344.” VHS
The Mask of Aztlan, 1983 - 1985
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
The Mask of Aztlan, January 17, 1985
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
The National Endowment for the Humanities, 1990
“The Picnic 1985.” [BADTVs coverage of the music concert- The Picnic, includes behind the scenes footage recorded off TV]. VHS, 1985
"The Piñata Makers" – Photographs
“The Real War 1939-1945” Atlantic Monthly article, plus photocopy
“The Restless Conscience”, 1990
The Terrible Teague Bunch, 1975
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.