Motion pictures -- Production and direction
Found in 1620 Collections and/or Records:
Sodas, fire
Soldierboy, 1980-1987
Soldierboy cover photo
Soldierboy Stat – typed in various fonts, 1983
“Songwriter #2” Pedernales Studio (copy) A Side: Will She Take the Love, Down to Her Socks, Night to Remember B Side: Night to Remember, Who Am I, Sure Could be Sweet, December 8, 1983
“Songwriter #3” Pedernales Studio (copy) A Side: Sure Could be Sweet, The Show Goes On B Side: One for the Morning, Late Again, Great Balls of Fire, I’m a Goin’ Fishin’, Lay me Down, Forever in Your Love, The Wonder, If it’s all the Same, December 14, 1983
“’Songwriter’ Album” Side A –“ Songwriter, Crossing the Border, Who’ll Buy My Memories, Down To Her Socks, Eye of the Storm, Nobody Said” Side B – “How Do You Feel, Write Your Own Song, Under the Gun, Final Attraction, Good Times” (second side seems blank), undated
“Soul Music” (“Bruce Springsteen” is crossed out), undated
Sound notes & Cue Sheets
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Sound Reports, September-November, 1980
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.
Southwestern Writers Collection Dedication Program, signed, October 5, 1991
This sub-series contains Wittliff's collection of book catalogs, exhibition catalogs, printing pamphlets and historical society brochures. Invitations to readings, art and literature shows, directories, flyers, articles, clippings and notices are also present.
Spanish subtitles draft , July 29, 1994
Spanish subtitles draft , August 15, 1994
Sparr, Landy; Erstling, Susan; Boehnlein, James. "Sam Shepard and the Dysfunctional American Family: Therapeutic Perspectives," American Journal of Psychotherapy, Vol. XLIV, No.4 (photocopy), October 1990
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Speak Only of Cats, 1997
Speeches, 1983, undated
Spiral bound handwritten draft of Volador includes notes, story drafts, clippings, and photographs. Subjects and titles include: Train Film outline, Chain Chain Chain, Wayne Grace, Madagascar, Phone Call, “Apart,” Chappy, Rich Hole, Papantle, Spencer Tracy Had the Right Idea, Nightmare, How I Came by Train, Blythe, Paris, Train to Munich, and Athens, 1989-1991
Spiral notebook with handwritten draft plus partial typed draft
Staffing , undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Stage Notes for Magic Theater, handwritten orange notebook, 1983
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.