Motion pictures -- Production and direction
Found in 1620 Collections and/or Records:
Rough drafts, July - August, 1992
6 part series, five of which aired August 1993 on CBS-TV.
Rough drafts and polish, August - October 1992
6 part series, five of which aired August 1993 on CBS-TV.
Royalties from The Whole Shootin’ Match distribution, July 1989-July 1990
This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).
Royalty Statements. Typed, with handwritten corrections, April 1981-January 1989
This series includes film rental agreements, distribution contracts, correspondence between Maverick Films, Inc. and the film distribution companies, and documentation of a legal dispute of a film distribution agreement. Separated into sub-series: Cinema Perspectives, First Run Features, Public Broadcasting Service (PBS), and Pahl Films (German TV).
Run for your life: A benefit for cancer research” (Jody Fischer is listed in the special thanks), undated
This series includes programs, a calendar, and a press kit for Red Headed Stranger. The press kit includes photos on set, director’s notes and cast descriptions. Programs include Austin Opry House performances, Run for Your Life program, Farm Aid 1985 program and First Decade Reunion program. The calendar is a Willie Nelson calendar from 1983.
Rusty Wier and Backbone. Austin Opry House. Poster by Wilkins, March 4, 1978
Posters are divided into Willie Nelson and non-Willie Nelson subseries. The Nelson posters include ones for the sixth annual Fourth of July picnic; Honeysuckle Rose, and two advertising concerts. The bulk of the non-Willie Nelson posters are for concerts at the Austin Opry House by performers such as The Charlie Daniels Band, Kinky Friedman, Dave Loggins, The Lost Gonzo Band, and Taj Mahal.
Sacred Ground (1989)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Sad Lament of Pecos Bill on the Eve of Killing His Wife (1976)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Sad Lament of Pecos Bill on the Eve of Killing His Wife. Manuscript musical score by Loren Toolajian, 1997
“Sade Diamond Life/ Whitney Houston”, undated
Sam Houston
Sample pages of proposed publication
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Samples of period clothing and shooting location
San Antonio Locations
San Diego State University agreements
Sangre de Cristo (unfinished) (1989)
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.