Motion pictures -- Production and direction
Found in 1620 Collections and/or Records:
Publicity - Press Releases, undated
Publicity - Reviews, undated
Publicity - Reviews, 1994-1995
Publicity - Reviews, 1995
Publicity - Reviews, 1995-1996
Publicity - Reviews, 1994-1996, undated
Publicity slides
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Publicity slides
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Publicity slides
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Published compilations, 1984-1993
Cover art proposals and galleys for compilations of Shepard’s work published by Vintage and Bantam comprise this series.
Published script with Steppenwolf/Chicago re-write annotations
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Publishing, 1968 - 1975
The Bill Wittliff papers document the book publishing, photography, and screenwriting and filmmaking aspects of Mr. Wittliff’s various professional and personal pursuits, ranging in date from 1968-1995, and including the following formats: correspondence, typescript drafts, bibliographies, woodcut blocks, illustrations, photographs, screenplay drafts, film storyboards and other production materials. See series descriptions within the container list for more detailed information.
Quail
Quail, big horn ram
Quilt and trees
"R & R", 1989-1991, undated
This series contains research materials, notes, scripts, and correspondence for a number of film projects that have not been produced. Arranged alphabetically by working title, these projects include: “Baa Baa Black Sheep”, “Earth Angel” (a.k.a. “Huey and the War Lover”), “Hard Rock: There Are No limits,” “R&R,” “Terrible Beauty: Stories From a War,” and an untitled baseball project.
Raggedy Man, 1973 - 1983
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Randy Travis Duets Heros + Friends (sic) (Willie collaborates on “Birth of the Blues”), undated
Ratings, January - April, 1992
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Ratings, August - September, 1993
6 part series, five of which aired August 1993 on CBS-TV.