Motion pictures -- Production and direction
Found in 1620 Collections and/or Records:
Partial draft, undated
Partial draft, January 3, 1983
"This one got stuck between thinking and feeling. The best stuff (the old men, the feathered airplane, the Mask itself) come from cutting the subconscious loose. Much of the rest of the story is contrivance--that is to say, thought out. The two didn't mix." Bill Wittliff, February 24, 1989
Partial manuscript, 100 handwritten pages in blue spiral notebook includes set drawings , 1989
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Partial manuscript and annotated typescript titled States of Panic, crossed out titles include Lost Partners, A Fear of Unknown Origin, and The Man Who Couldn’t Stop Weeping, November 12, 1988
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Partial rewrite for Universal, July 16, 1979
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Partial rough draft of episodes, July 6 - October 5, 1990
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Partial typescript by Ed Zwick, undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Lin Sutherland Collection of Eagle Pennell
Severo Perez Papers
The papers of filmmaker and writer Severo Perez span 1972-2010 and document his career in film and television, and as a writer. The bulk of the collection relates to his film work, especially his 1995 film, …and the earth did not swallow him.
Perez’s outline for making …and the Earth did not swallow him…, August 15, 1994
Personal Papers
Personal Papers , 1985-1986, 2003, undated
This series includes correspondence letters, rough drafts of song lyrics and a birthday card to Jody Fischer.
Photocopied newspaper clippings, 1978-1980
This series includes photocopies of newspaper and magazine articles, and also original newspaper clippings. Separated into sub-series: Newspaper Articles, Magazine Articles, Film Festival Flyers, and Notes. Some of the original newspaper clippings are fragile.
Photocopies of articles/advertisements, 1996
Photocopies of articles/newspapers, 1994-1995
Photocopy of the poem, “What Is the Word,” by Samuel Beckett, last Beckett poem to Chaikin
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Photograph of Chaikin by Ray Maichen, undated
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.