Motion pictures -- Production and direction
Found in 1879 Collections and/or Records:
Letter and clipping from Arthur Ramirez, March 14, 1987
Letters from Lin and Eagle, 1977, undated
This series includes correspondence to or from Eagle Pennell and Lin Sutherland, including typed or handwritten letters. Separated into four different folders: Letters to Lin Sutherland and Eagle Pennell, Letter to Lin Sutherland, Letters to Eagle Pennell, and Letters from Lin and Eagle.
Letters, minutes, 1983 - 1984
Letters of Agreement / McGraw Hill and Teatro Campesino
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
Letters to Eagle Pennell, 1977-1978, undated
This series includes correspondence to or from Eagle Pennell and Lin Sutherland, including typed or handwritten letters. Separated into four different folders: Letters to Lin Sutherland and Eagle Pennell, Letter to Lin Sutherland, Letters to Eagle Pennell, and Letters from Lin and Eagle.
Letters to Lin Sutherland, April 25, 1978, undated
This series includes correspondence to or from Eagle Pennell and Lin Sutherland, including typed or handwritten letters. Separated into four different folders: Letters to Lin Sutherland and Eagle Pennell, Letter to Lin Sutherland, Letters to Eagle Pennell, and Letters from Lin and Eagle.
Letters to Lin Sutherland and Eagle Pennell, 1977, undated
This series includes correspondence to or from Eagle Pennell and Lin Sutherland, including typed or handwritten letters. Separated into four different folders: Letters to Lin Sutherland and Eagle Pennell, Letter to Lin Sutherland, Letters to Eagle Pennell, and Letters from Lin and Eagle.
Lifetime Achievement Award, XicanoIndie Film Festival (Denver), 2015
Archival material received from Jesús Salvador Treviño. Material includes extensive papers, awards, and cultural ephemera relating to the career of this distinguished writer/director/filmmaker. Material dates 1970-2016, undated.
Lined script, April 23, 1984 / September 16, 1988
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Lined Script, 1985
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
“Lined script-Orig.” with original script supervisor’s notes
Lined Script, Script Supervisor Pam Fuller, undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
“Lionel Richie Can’t Slow Down”, undated
Literary Criticism, 1984
This series is comprised of a review by Shepard of Peter Handke’s novel The Weight of the World, including a letter from Handke’s editor, Shepard’s draft, and a copy of the essay as published in Vanity Fair, September 1984.
Location, undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Location notes, memos, and map, October 24, 1988
Location Photos
Location photos, 1980
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
