Motion pictures -- Production and direction
Found in 1620 Collections and/or Records:
Letters, minutes, 1983 - 1984
Letters to Eagle Pennell, 1977-1978, undated
This series includes correspondence to or from Eagle Pennell and Lin Sutherland, including typed or handwritten letters. Separated into four different folders: Letters to Lin Sutherland and Eagle Pennell, Letter to Lin Sutherland, Letters to Eagle Pennell, and Letters from Lin and Eagle.
Letters to Lin Sutherland, April 25, 1978, undated
This series includes correspondence to or from Eagle Pennell and Lin Sutherland, including typed or handwritten letters. Separated into four different folders: Letters to Lin Sutherland and Eagle Pennell, Letter to Lin Sutherland, Letters to Eagle Pennell, and Letters from Lin and Eagle.
Letters to Lin Sutherland and Eagle Pennell, 1977, undated
This series includes correspondence to or from Eagle Pennell and Lin Sutherland, including typed or handwritten letters. Separated into four different folders: Letters to Lin Sutherland and Eagle Pennell, Letter to Lin Sutherland, Letters to Eagle Pennell, and Letters from Lin and Eagle.
Lined script, April 23, 1984 / September 16, 1988
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Lined Script, 1985
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
“Lined script-Orig.” with original script supervisor’s notes
Lined Script, Script Supervisor Pam Fuller, undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
“Lionel Richie Can’t Slow Down”, undated
Literary Criticism, 1984
This series is comprised of a review by Shepard of Peter Handke’s novel The Weight of the World, including a letter from Handke’s editor, Shepard’s draft, and a copy of the essay as published in Vanity Fair, September 1984.
Location, undated
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
Location notes, memos, and map, October 24, 1988
Location Photos
Location photos, 1980
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Location Scouting Photos
Location stills by Volker, color photographs in blue notebook, undated
Lou Reed "New Sensations" RCA 1984; "The Moray Eels Eat at the Holy Modal Rounders" Elektra Records; NightVoices. "Intimacy / Insomnia", 1984
Arranged by genre (articles, books, sound recordings, screenplays, short stories and teleplays), most of the works in this series are based on or inspired by Shepard’s works. Authors mailed the works to Shepard for his comments, and many items include typescripts annotated by Shepard and correspondence.
Lyrics by Kris Kristofferson - “El Gavilan,” “The Heart, ” “Mean Old Man" (handwriting unidentified) , undated
This series includes correspondence letters, rough drafts of song lyrics and a birthday card to Jody Fischer.
“Mae Boren Axton Toast.” [Raw footage of a tribute to Mae Boren Axton at the Vanderbilt Plaza Hotel. Willie Nelson gives a toast.] VHS, February 15, 1988
Magazine Articles, 1978-1984
This series includes photocopies of newspaper and magazine articles, and also original newspaper clippings. Separated into sub-series: Newspaper Articles, Magazine Articles, Film Festival Flyers, and Notes. Some of the original newspaper clippings are fragile.