Motion pictures -- Production and direction
Found in 1620 Collections and/or Records:
Final shooting script, April 22, 1985
Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.
Final Steppenwolf re-write, annotated typescript, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Final Version, April 1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Financial Information, 1977-1984
This series includes a certificate of incorporation for Maverick Films, Inc., memorandums, stock and share agreements, tax returns, and other financial information. Separated into sub-series: Maverick Films, Incorporated, Board of Directors Meetings, Maverick Films, Inc. Memorandums, Shareholders, Legal papers, and Financial Information.
First Decade Reunion program with envelope, 1987
This series includes programs, a calendar, and a press kit for Red Headed Stranger. The press kit includes photos on set, director’s notes and cast descriptions. Programs include Austin Opry House performances, Run for Your Life program, Farm Aid 1985 program and First Decade Reunion program. The calendar is a Willie Nelson calendar from 1983.
First Draft, March 31, 2009
First Draft, May 8, 2009
First draft, October 21 - November 18, 1990
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
First draft, March 25 - April 8, 1973
A western starring Gary Busey and Willie Nelson. This series contains drafts of the script, costumes, photographs by Wittliff, the script supervisor's files, the editing and sound notes, publicity, distribution, and clippings of reviews and interviews. The archive also contains the dailies on film reels and a 16mm print of the film.
First draft, September to October 11, 1973
"My second attempt at writing a script--but it turned out to be only a collection of episodes based on my father's funeral and some of my high school experiences. So I shelved it after one draft." Bill Wittliff, December 22, 1988
First draft, November 3, 1973
First Draft
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
First draft, August 4, 1974
The film was eventually produced in 2013 starring Robert Duvall.
First draft, August 13, 1974
The film was eventually produced in 2013 starring Robert Duvall.
First draft, February 25, 1981
The film was eventually produced in 2013 starring Robert Duvall.
First draft, September 30, 1975
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
First draft, September 1975
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
First draft
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
First draft, May 17, 1992
The Screenplays are arranged chronologically according to when they were written. The order does not reflect the order in which the films were released. The date following the title in parentheses is the release date. Photographs, film, and videotape may not be duplicated without permission from the Wittliff estate.
First draft, September 17, 1986
This started as a rewrite of Pistoleers--"My first couple of drafts were set in New York City--then Crocodile Dundee came out and the studio asked me to reset the story in Washington, D. C. to avoid comparison. Against my better judgment I agreed to give it a try and the whole thing (meaning the writing) went downhill after that." Bill Wittliff, February 16, 1989. Includes notes by Wittliff's assistant at the time, Connie Todd.