Skip to main content

Motion pictures -- Production and direction

 Subject
Subject Source: Library of Congress Subject Headings

Found in 1620 Collections and/or Records:

Ed Sharpe interview of Wittliff

 File — Box 361, Folder: 2-3
Scope and Contents From the Collection:

The Bill Wittliff papers document the book publishing, photography, and screenwriting and filmmaking aspects of Mr. Wittliff’s various professional and personal pursuits, ranging in date from 1968-1995, and including the following formats: correspondence, typescript drafts, bibliographies, woodcut blocks, illustrations, photographs, screenplay drafts, film storyboards and other production materials. See series descriptions within the container list for more detailed information.

Dates: 1983 - 1994

Editing, March - July, 1993

 File — Box 349, Folder: 5
Description From the Sub-Series:

6 part series, five of which aired August 1993 on CBS-TV.

Dates: March - July, 1993

Editing, continuity, location, and extras notes, undated

 File — Box 16, Folder: 5
Series Description From the Series: This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates: undated

Editing log

 File — Box 310, Folder: 7-8
Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Dates: undated

Editing log

 File — Box 311, Folder: 1-2
Sub-Series Description From the Sub-Series:

Final shooting script has original drawing by Wittliff and is autographed by Wittliff and Willie Nelson. Produced by Nelson and Wittliff. Directed by Wittliff. Script Supervisor Cate Hardman Roach. Film was edited in Wittliff's offices by Eric A. Williams and Stephen Purvis. Slides removed from original sleeves and put in archival sleeves. Marked original sleeves are in front of re-sleeved slides.

Dates: undated

Editing notes

 File — Box 22, Folder: 1
Scope and Contents From the Collection: The papers of filmmaker and writer Severo Perez span 1972-2010 and document his career in film and television, and as a writer. The collection is arranged into six series: 1) Film; 2) Television; 3) Plays; 4) Books; 5) The National Endowment for the Humanities; and 6) Audio and Video Materials. Perez also donated an extensive amount of audiovisual material which includes film reels and prints for …and the earth did not swallow him as well as many of...
Dates: 1993

Editing, Spotting List, undated

 File — Box 292, Folder: 9
Sub-Series Description From the Sub-Series:

A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."

Dates: undated

Editorial Files, 1982 - 1983

 Sub-Series — Box 74
Sub-Series Description From the Sub-Series: Broyles was appointed editor-in-chief of Newsweek from 1982-1984. Correspondence, editorial files, speeches, and subject files document his leadership of this magazine. General correspondence is arranged chronologically, followed by alphabetical correspondence files for individuals such as Jonathan Alter, Katherine Graham, Peter McGrath, Richard West, and George Will. Also within the Newsweek series are speeches Broyles made while serving as editor-in-chief. Included are his remarks at the...
Dates: 1982 - 1983

"El Norte/The North" – info and publicity

 File — Box 33, Folder: 14
Scope and Contents From the Collection: The papers of filmmaker and writer Severo Perez span 1972-2010 and document his career in film and television, and as a writer. The collection is arranged into six series: 1) Film; 2) Television; 3) Plays; 4) Books; 5) The National Endowment for the Humanities; and 6) Audio and Video Materials. Perez also donated an extensive amount of audiovisual material which includes film reels and prints for …and the earth did not swallow him as well as many of...
Dates: 1987-2001

Elders, 1993

 Sub-Series
Scope and Contents From the Collection: The papers of filmmaker and writer Severo Perez span 1972-2010 and document his career in film and television, and as a writer. The collection is arranged into six series: 1) Film; 2) Television; 3) Plays; 4) Books; 5) The National Endowment for the Humanities; and 6) Audio and Video Materials. Perez also donated an extensive amount of audiovisual material which includes film reels and prints for …and the earth did not swallow him as well as many of...
Dates: 1993

Eli Cutter Promotional Material (basis for the series)

 File — Box 339, Folder: 1
Description From the Sub-Series:

6 part series, five of which aired August 1993 on CBS-TV.

Dates: 1973 - 1995

“Elvis-Graceland- 0515 Farm Aid-MTV.” [Farm Aid 1]. VHS.

 Item — Box 7
Series Description From the Series: This series consists of VHS and U-Matic tapes. Most of the tapes are programs featuring Willie Nelson recorded from television. The programs include news interviews, music concerts, television shows and film. The majority of the tapes are produced video although, there are some tapes featuring raw footage of Willie Nelson. The raw footage includes a music performance at a bar in 1990, the auction of Willie Nelson’s personal belongings, Willie Nelson performing at Phoenix Indian School and...
Dates: 1985-1986

“Elvis – Sun Sessions - Memphis Band Jam” , October 1982

 Item — Box 6
Series Description From the Series: These audio cassettes primarily feature Willie Nelson, though there are several of other recording artists. The cassettes are in varying condition, some have been recorded over multiple times and the labels are not always descriptive of what is on the tape. The series of audio recordings has been divided into 5 subseries; Jody Fischer recordings, Willie Nelson studio recordings, Willie Nelson dated live recordings, Willie Nelson undated live recordings, and other recording artists. The...
Dates: October 1982

“Emmy Lou Harris/Billy Joe Shaver”, undated

 Item — Box 6
Series Description From the Series: These audio cassettes primarily feature Willie Nelson, though there are several of other recording artists. The cassettes are in varying condition, some have been recorded over multiple times and the labels are not always descriptive of what is on the tape. The series of audio recordings has been divided into 5 subseries; Jody Fischer recordings, Willie Nelson studio recordings, Willie Nelson dated live recordings, Willie Nelson undated live recordings, and other recording artists. The...
Dates: undated

Encino Press, 1968 - 1975

 Sub-Series
Sub-Series Description The Encino Press file contains posters designed by Bill Wittliff and printed by Encino Press. There are original illustrations by John Groth for John Graves' The Last Running. The manuscript for Larry L. King's That Terrible Night That Santa Got Lost In The Woods is included along with correspondence, editing and original pen and ink scratchboard drawings by the Pulitzer Prize winning cartoonist, Pat Oliphant. Also contains manuscripts submitted to Wittliff for publication and the...
Dates: 1968 - 1975

Encino Press Bibliography, galley, 1989

 File — Box 269, Folder: 1
Sub-Series Description From the Sub-Series: The Encino Press file contains posters designed by Bill Wittliff and printed by Encino Press. There are original illustrations by John Groth for John Graves' The Last Running. The manuscript for Larry L. King's That Terrible Night That Santa Got Lost In The Woods is included along with correspondence, editing and original pen and ink scratchboard drawings by the Pulitzer Prize winning cartoonist, Pat Oliphant. Also contains manuscripts submitted to Wittliff for publication and the...
Dates: 1989

Encino Press Bibliography, mss. and galley, 1989

 File — Box 268, Folder: 8-9
Sub-Series Description From the Sub-Series: The Encino Press file contains posters designed by Bill Wittliff and printed by Encino Press. There are original illustrations by John Groth for John Graves' The Last Running. The manuscript for Larry L. King's That Terrible Night That Santa Got Lost In The Woods is included along with correspondence, editing and original pen and ink scratchboard drawings by the Pulitzer Prize winning cartoonist, Pat Oliphant. Also contains manuscripts submitted to Wittliff for publication and the...
Dates: 1989

End of the Line by Jay Russell & John Wohlbruck, October 1, 1985

 File — Box 357, Folder: 6
Sub-Series Description From the Sub-Series: The Sundance Institute for Film and Television was founded by Robert Redford to foster emerging talents, often found outside the mainstream of the traditional entertainment industry. For six years during the 1980s, Bill Wittliff served on the Board of Trustees for the Institute, working in particular on the Selection Committee. He also donated his time as a writer's mentor during the June Workshop at Sundance Resort near Provo, Utah and at the Writer's Workshop held during the January...
Dates: October 1, 1985

Entertainment Industries Council resource encyclopedia, undated

 File — Box 344, Folder: 4
Description

Entertainment industry notebook gives suggestions on the media presentation of various social issues such as alcoholism, seat belts, tobacco, etc. Props file has drawings of gear by Brad Johnson. Continuity photos have photos from 1991 pilot mixed in.

Dates: undated

Entrapment, 1997 - 1999

 Sub-Series — Box 199-203
Sub-Series Description

In 1998, Broyles was hired to rewrite the Y2K caper, Entrapment, starring Sean Connery and Catherine Zeta Jones. Broyles shares writing credits with Ron Bass and Don Macpherson, both of whom worked on earlier versions of the screenplay. Correspondence, research, scripts (including drafts by Bass and Macpherson), production materials, and videocassettes document Broyles’ contribution to the film.

Dates: 1997 - 1999