Motion pictures -- Production and direction
Found in 1879 Collections and/or Records:
Correspondence, 1986
* restricted Shepard, Jesse, February 2, 1986
Gotlieb, Howard, April 4, 1986. (Includes Boston University’s Shepard collection listing.)
Correspondence, 1988
Klein, Don, April 25, 1988
Mark, Steven (to Martin Licker), June 7, 1988
Wenders, Wim, July 22, 1988
Crane, Joan, July 28, 1988
Crane, Joan, August 2, 1988
Wexler, Haskell, September 30, 1988
Wexler, Haskell, October 21, 1988
“Mom,” November 2, 1988
Bryer, Jackson, November 30, 1988
Daugherty, Pat, December 19, 1988
Correspondence, 1989
Daniels, Barry, January 5, 1989
Berman, Lois, May 17, 1989. Includes “American Dreams” programs
Ford, Richard, August 10, 1989
Sinise, Gary, November 4, 1989
Correspondence, 1990
Jewell, Cathy, October 18, 1990
Halpern, Daniel, October 25,1990
Jewell, Cathy, October 25, 1990
Hill, Steve, December 18, 1990
Correspondence, 1991
Jewell, Cathy, January 14, 1991
Berman, Lois, January 17, 1991
Newman, Paul, May 15, 1991
Eberle, Martin, June 28, 1991, Includes six 9 1/2 x 11 1/2 black and white photographs of Shepard and others
Correspondence, 1992
"R.J."(initials only), October 8, 1992
Callens, Johan (to Lois Berman), October 30, 1992
Correspondence, 1993
Callens, Johan (to Lois Berman), October 1, 1993
Kulkhe, K., October 6, 1993
Correspondence, 1994
Shelley, Guy, March 15, 1994
Boals, Judy, April 15, 1994. Includes poster and slides from a Paris production of Icarus’s Mother.
Correspondence, 1995
Boals, Judy, March 24, 1995. Includes Theater Hall of Fame program
Correspondence, 1996
Correspondence, 1997
Notice from Academy of Arts and Letters re: death of Alan Ginsberg, April 5, 1997
Aronowitz, Al, May 1, 1997
Adolphe, Bruce (to Judy Boals), August 14, 1997
"Santo,” October 21, 1997
Correspondence, 1998
Shepard, Sam (to Magic Theater ), April 29, 1998
Boals, Judy, July 23, 1998
Callahan, Michael (to Judy Boals), September 14, 1998
Correspondence, undated
"Freddie and Lara" (first names only)
McAdams, "Coach"
Multiple authors (first names only)
Correspondence, 1987-1989
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Correspondence, 1982-1998
Topics include the publication of Shepard’s works in magazines and journals as excerpts, as well as in their entirety; correspondence with agent Lois Berman. Aside from general correspondence, this series also includes correspondence from Joseph Chaikin and Barry Daniels and correspondence from Shepard’s son, Jesse, as noted [Restricted]. For Shepard’s 40-year correspondence with Johnny Dark, see the Southwestern Writers Collection 106, The Sam Shepard and Johnny Dark Collection.
Correspondence, 1980 - 1981
A film loosely based on Wittliff’s mother’s life about a young, divorced mother of two sons working as a telephone operator in small-town Texas during World War II. Starring Sissy Spacek, Sam Shepard, and Eric Roberts. Early drafts are titled "Nita, Henry and Harry."
Correspondence, 1977-1978, undated
This series includes correspondence to or from Eagle Pennell and Lin Sutherland, including typed or handwritten letters. Separated into four different folders: Letters to Lin Sutherland and Eagle Pennell, Letter to Lin Sutherland, Letters to Eagle Pennell, and Letters from Lin and Eagle.
Correspondence from 7 Stages director Faye Allen and from lighting designer Ann Millitello regarding the death of a friend named John Dodd, 1991, 1998
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
Correspondence from Judy Boals, 1996
The series for Plays is the largest of Shepard’s works and includes notes, annotated typescripts, playbills, programs, correspondence, sound recordings, rehearsal schedules, reviews, and publicity. This series is notable in that Shepard meticulously identified each annotated draft with the date and place (by city and state) of each revision, and there tend to be multiple drafts of each work represented.
