Box 55
Contains 51 Results:
“I Want to Be a Father Like a Man,” 1 typed page, no corrections, Spring 1982
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“A Little Grief Like Gouache,” 1 photocopy page, corrected and including poem, “Fan of a Floating Woman After Shikibu”, 1988
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Loose Woman,” 2 typed pages, no corrections; 1 typed page (incomplete)
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Love Poem for a Non-Believer,” 1 typed page, no corrections, 1988 - 1989
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Mexicans in France,” 1 photocopy page (3 copies); Spanish translation by Paloma Zozaya, 1992
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“My Friend Turns Beautiful Before My Eyes,” 1 photocopy page with minor corrections; 1 photocopy, August 1988
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“My Nemesis Arrives After a Long Hiatus,” 2 typed pages, no corrections; 2 photocopy pages (2 copies)
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Night Madness," 2 typed pages, no corrections; multiple photocopies, April 24, 1993
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Old Maids,” 1 typed page, no corrections; 2 photocopies, August 1988
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Once Again I Prove the Theory of Relativity,”2 photocopy pages, no corrections; 1 typed page (incomplete), May 23, 1993
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Original Sin,” 1 photocopy page, no corrections (2 copies), 1988
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Perras,” 1 photocopy page (3 copies), August 1988
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Pumpkin Eater,” 1 typed page, no corrections; 1 photocopy, May 2, 1993
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Te Amo,” 1 photocopy page, no corrections (2 copies), July 23, 1988
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“That Beautiful Boy Who Lives Across from the Handy Andy,” 1 typed page, no corrections; 1 photocopy, November 28, 1989
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Thing in My Shoe,” 1 photocopy page (2 copies), April 24, 1993
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Unos Cuantos Piquetitos,” 1 typed page, no corrections; 1 photocopy, corrected; 1 photocopy, no corrections, 1990 - 1991
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Vino Tinto,” 1 typed page, no corrections; 1 photocopy, September 1988
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Waiting for a Lover,” 1 typed page, no corrections; 1 photocopy, May 2, 1993
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
“Well, If You Insist,” 1 typed page, no corrections; 1 photocopy, 1990 - 1991
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.