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Box 55

 Container

Contains 51 Results:

“After Everything,” 1 print out page, no corrections, September 8 and 11, 1988

 File — Box: 55, Folder: 1
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: September 8 and 11, 1988

“Amorcito Corazon,” 2 photocopy pages, no corrections, April 17, 1989

 File — Box: 55, Folder: 2
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: April 17, 1989

“Bienvenido Poem for Sophie,” 1 typed page, no corrections; 1 photocopy, 1989

 File — Box: 55, Folder: 3
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: 1989

“Black Lace Bra Kind of Woman,” 1 typed page, no corrections; 1 photocopy page (3 copies); 1 photocopy of published version, July 6, 1990

 File — Box: 55, Folder: 4
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: July 6, 1990

“Christ You Delight Me,”, 1 typed page, no corrections; 2 typed pages that include “Your Name is Mine”, May 21, 1991

 File — Box: 55, Folder: 5
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: May 21, 1991

“Cloud,” 1 photocopy page (5 copies); 3 corrected drafts; 1 typescript page, August 10, 1991

 File — Box: 55, Folder: 6
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: August 10, 1991

“Los Desnudos: A Triptych,” 3 photocopy pages, no corrections; 1 photocopy page (incomplete), July 3, 1992

 File — Box: 55, Folder: 7
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: July 3, 1992

“Down There,” 3 photocopy pages of published version (3 copies)

 File — Box: 55, Folder: 8
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: 1988-1993; 1997

“Dulzura,” 1 typed page, no corrections; 2 photocopies, 1989 - 1990

 File — Box: 55, Folder: 9
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: 1989 - 1990

“En Route to My Lover I am Detained by Too Many Cities and Human Frailty,” 1 photocopy page, August 7, 1992

 File — Box: 55, Folder: 10
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: August 7, 1992

“Extreme Unction,” 1 typed page, no corrections; 2 photocopies, October 17, 1991

 File — Box: 55, Folder: 11
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: October 17, 1991

“Fan of a Floating Woman,” 2 photocopy drafts, no corrections; 1 photocopy page with corrections, 1988

 File — Box: 55, Folder: 12
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: 1988

“Full Moon and You’re Not Here,” 3 photocopy drafts, no corrections, July 1, 1988

 File — Box: 55, Folder: 13
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: July 1, 1988

“Las Girlfriends,” 1 photocopy page (2 copies); 1 typed page, no corrections, July 6, 1990

 File — Box: 55, Folder: 14
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: July 6, 1990

"I Awake in the Middle of the Night and Wonder if You’ve Been Taken,” 1 photocopy page, no corrections, June 3, 1993

 File — Box: 55, Folder: 15
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: June 3, 1993

“I am on My Way to Oklahoma to Bury the Man I Nearly Left My Husband For,”1 typescript page, no corrections; 1 photocopy, no corrections; 1 photocopy of published version [correspondence with Joan Frederick (Denton) for the inspiration for this poem is restricted], December 3, 1990

 File — Box: 55, Folder: 16
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: December 3, 1990

“I am So Depressed I Feel Like Jumping in the River Behind My House but Won’t Because I Am Thirty-Eight and Not Eighteen,” 1 photocopy page, no corrections (4 copies), July 3, 1993

 File — Box: 55, Folder: 17
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: July 3, 1993

“I am So in Love I Grow a New Hymen,” 1 photocopy page (2 copies), July 14, 1992

 File — Box: 55, Folder: 18
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: July 14, 1992

“I Don’t Like Being in Love,” 1 typed page, no corrections; 3 print out pages, no corrections

 File — Box: 55, Folder: 19
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: 1988-1993; 1997

“I Let Him Take Me,” 1 typed page, no corrections; 1 photocopy, October 17, 1991

 File — Box: 55, Folder: 20
Subseries Description From the Sub-Series:

The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.

Dates: October 17, 1991