Box 38
Contains 37 Results:
“Fiction/Nonfiction,” 2 photocopy pages, no corrections
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“Franco Mondini-Ruiz at the San Antonio Library” to introduce HIGH PINK: Tex-Mex Fairy Tales, February 12, 2006
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“Gato Perón was a Rolling Stone,” [pet obituary], 2 pages (3 drafts), July 5, 2012
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“Ghosts and Voices: Writing from Obsession,” presented at Indiana University, and later published in The American Review Spring 1987, Vol 15, No 1. 6 typed pages, minor corrections, November 11, 1986
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“The Girl who Became a Saint – Teresa Urrea, la Santa de Cabora,” [Teresita Essay], Edited print out with email from Erasmo Guerra
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
Gregorio Luperon Commencement, New York City. 7 pages, print out with holograph annotations, June 25, 2010
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“Guadalupe the Sex Goddess,” [published in Goddess of the Americas: Writing on the Virgin of Guadalupe] 6 pages, no corrections; proof and letter from Julie Grau, Riverhead Press, 1996
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“The House at Paisano,” 6 typed pages (4 drafts including photocopies), no corrections, February 9, 1986
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“How I Became a Writer,” 2 print out drafts, corrected, June 2009
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“Huipiles,” multiple drafts; 11 page Spanish translation by Liliana Valenzuela (2 folders), June-October, 2007
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“How the Library Changed My Life,” 10 page draft; 1 holograph page
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“I Can Live Sola and I Love to Work,” presented as the keynote speech for “Redefining Legacies: Power in Transition,” Women’s Caucus for the Arts National Conference, San Antonio. [Later published in La Voz de Esperanza, March 1995] 10 pages, no corrections, January 24, 1995
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“I Write Because it Makes Me Happy: Sandra Cisneros in conversation with Aruna Sitesh,” 40 photocopy pages, plus 1 page letter from Sitesh, 1992
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“Infinito Botanica,” 2 typed pages, corrected (3 drafts), 2004
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
Isabella Stewart Gardner Lecture. Correspondence and drafts re: “Who Let This Woman into My House” which quotes Cisneros
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“Library Essay,” for El Grupo de los Cien, a coalition in San Antonio to unite the Latino community
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
“Lila Downs,” 1 print out page, no corrections, March 18, 2004
Cisneros’ nonfiction writings are arranged alphabetically and include speeches, editorials, and essays. Many were eventually published in anthologies or magazines. In cases when the date and location of a speech is known, that information is included in the listing. This series also contains interviews Cisneros conducted with other writers while working at the Guadalupe Cultural Arts Center (box 41).
Room 580, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
UnivArchives@txstate.edu
7th Floor, Alkek Library
601 University Drive
San Marcos Texas 78666 USA
Wittliff_Ref@txstate.edu