Box 18
Container
Contains 19 Results:
Notes, two typescript pages, undated
File — Box: 18, Folder: 1
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
undated
Screenplay typescript by Richard Ford, second draft with Shepard’s annotations, August, 1989
File — Box: 18, Folder: 2
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
August, 1989
Screenplay typescript by Ford, latest draft, with Shepard’s annotations, August, 1989
File — Box: 18, Folder: 3
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
August, 1989
Color transparency advertising film, 1990
File — Box: 18, Folder: 4
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
1990
Annotated photocopy of book titled Homo Faberby Max Frisch, 1989
File — Box: 18, Folder: 5
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
1989
Annotated article on Max Frisch, undated
File — Box: 18, Folder: 6
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
undated
Screenplay typescript third draft with Shepard’s annotations, February 1990 - March 1990
File — Box: 18, Folder: 7
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
February 1990 - March 1990
Film contract, January 1990
File — Box: 18, Folder: 8
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
January 1990
Location stills by Volker, color photographs in blue notebook, undated
File — Box: 18, Folder: 9
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
undated
Production schedules, maps, 1990
File — Box: 18, Folder: 10
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
1990
Photographs on set of Shepard and Julie Delpy by Bridgette LaCombe, includes 16 black and white faxes and 19 color copies, 1990
File — Box: 18, Folder: 11-12
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
1990
Production notes by Castle Hill Productions including cast, credits and synopsis, undated
File — Box: 18, Folder: 13
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
undated
Booklet containing synopsis, photographs, artistic and technical participants in film (in French), undated
File — Box: 18, Folder: 14
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
undated
Reviews, undated
File — Box: 18, Folder: 15
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
undated
Correspondence with Volker, 1989-1990
File — Box: 18, Folder: 16
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
1989-1990
Storyboards for scenes 38, 40, 70, 119-122, and 131-133 (photocopies)
File — Box: 18, Folder: 17
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
1989-1998
Two color photographs, taped together, unidentified, but presumed to be taken on the set of Thunderheart, undated
File — Box: 18, Folder: 18
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
undated
Advertisement in Variety magazine, undated
File — Box: 18, Folder: 19
Series Description
From the Series:
This series is divided into two subseries. The first, films for which Shepard wrote the screenplay, includes: notes, annotated drafts, dialogue rewrites, publicity, correspondence, contracts, music notes, production notes and schedules. Of the films in this subseries, Silent Tongueincludes the most information (1 linear foot), followed by Far North(.25 linear feet.), Onibaba(.25 linear feet),...
Dates:
undated
Review by Shepard of Peter Handke’s novel The Weight of the World, including letter from Handke’s editor, Shepard’s draft and a copy of the essay published in Vanity Fair, September 1984
File — Box: 18, Folder: 20
Series Description
From the Series:
This series is comprised of a review by Shepard of Peter Handke’s novel The Weight of the World, including a letter from Handke’s editor, Shepard’s draft, and a copy of the essay as published in Vanity Fair, September 1984.
Dates:
September 1984