Where-Wrong
Scope and Contents
“Where did it come from?,” “Wherever I Am, It’s Not Here,” “Wherever We Go, We Come to This,” “While I Was in Canada, I Dreamed of You Once,” “While in Victoria Texas for the Armadillo Race - for C.B.,” “While Standing on the Edge of the Guadalupe River,” “While Wandering Through Restaurant Supply Houses June 1975,” “White Hair,” “White Hair Over the Rocky Mountains,” “Who?,” “Whoever Art Was Sleeping With, It Wasn't Me,” “Why, at the Age of Twenty-Three, I Am Still Not a Ski Sweater?,” “Why I Am Looking at You This Way,” “Why I Am Looking at You This Way,” “Why I Don’t Eat Much Anymore,” “Why Terri Keeps Losing Things - for Teresa Anderson,” “Why We Go to the Farms,” “Why You Don’t See Me Anymore,” “Wide World,” “Window Waits with its Eye Half Open,” “A Woman Who Talks with Angels - for my grandmother, north of Jerusalem,” “The Woman who Wrote Letters,” “Women Licking Their Wounds,” “Wondering About What I Do Every Day,” “Wood,” “The Word for Missing Rio,” “Working at the Physical Fitness Club in the Lunch Bar,” “Working for Tom,” “The World in Translation,” “The World, Starring You,” “The World We Are In,” “The World’s Highest Passenger Railway,” “Words,” “Worry,” “Wrong.”
Dates
- circa 1970s - circa 2010s
Creator
- From the Collection: Nye, Naomi Shihab (Person)
- From the Collection: Duncan, Virginia (Editor, Person)
Conditions Governing Access
Collection is open for research.
Extent
From the Series: 30 boxes
Language of Materials
From the Collection: English
Repository Details
Part of the The Wittliff Collections Repository