Platt, Polly
Found in 19 Collections and/or Records:
A Shot of Inspiration, 2008
A Shot of Inspiration, Video Part 1, 2008
A Shot of Inspiration, Video Part 2, 2008
Beauties, Bitches, and Businesswomen: Where are the Strong Female Characters?, 1996
Budget and Filmmaking: How to Cut Corners Where They Won't Show, 1997
Civilian Capital Presents: The Future of Film Financing, 2001
Craft Session # 10: Pitching, 2002
Craft Session: Choosing a Story to Tell 2, with Polly Platt, 2000
Devoting time and energy to a screenplay requires a great deal of focus and commitment. A writer must know thathis or her idea is the story that he or she ultimately wants to write, and must examine his or her ideas very carefullyto ensure the creation of well-crafted and compelling finished script. Come put your ideas through their paces. Two sides of audiocassette tape, about 71 minutes total.
Craft Session: Finding the Right Script, 2001
When you stake your future on a particular screenplay, you should make sure that it’s the one no agency or production company can resist. That’s a tall, perhaps unrealistic order, but it’s still important to understand the things necessary to make a great calling card script. What kind of script stands out from the others? How do you know when you have one? 1 audiocassette, sides A and B, about 84 minutes
Crunchy Outside, Soft inside: Keeping your Integrity as a Writer, 2003
The wheel of entertainment always needs a greasin' but at what cost? Entertainment's a tough business and important ethical and professional decisions along the way can dictate the history of your employment, the reputation you've worked hard to establish. A few successful scribes serve their experience on a silver platter.
Finalist and Semifinalist Panel, 2008
Finalist and Semifinalist Panel, Video Part 1, 2008
Finalist and Semifinalist Panel, Video Part 2, 2008
I'm Big in Europe, International Film Markets, 1998
Strike Three, You're Out! The Bullpen - A Pitching Exercise, 1999
The pitch is an intense moment-of-truth experience. You only get one shot so you better be ready. Consider this the bullpen - if you're in the room, be ready to be called on to pitch a specific well-known flick. Panelists will help you hone in on perfection and give you a hands-on glimpse into what it takes to effectively communicate the hook of a story.
1 audiocassette, sides A and B.
The Nuclear Family I - The Writer/Director/Producer Relationship, 1999
These two have to be careful - there are a few Oscars lying around, and those suckers smart when they bounce off your noggin. Come see if you can help egg them on. Who knows, maybe they'll throw down.
1 audiocassette, sides A and B.
The Power of the X Chromosome, 2000
Making movies has never been a business just for men. Hear from some of the most talented and highly respected women in the film industry as they discuss the ups and downs and ins and outs of hitting it big in Hollywood. Two sides of audiocassette tape, about 80 minutes total.
The Writer/Agent/Manager Relationship, 2002
You're Not Eighteen Anymore? Big Deal!, 1999
Remember what the producers all say - they're looking for "good writing." So, instead of bemoaning your age, start honing your page. Agism in Hollywood makes for good headlines, but when push comes to shove the play's the thing, damn it. Or maybe we're being naive? Let the debate rage!
1 audiocassette, sides A and B.
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