Nethercott, Gayla
Found in 32 Collections and/or Records:
Agents, Lawyers, and Big Husky Norwegians: Writers' Representation, 1998
Beyond the page: Expressing Your Ideas in Person, 2008
Common Mistakes Writers Make, 2007
Craft Session 1: Getting Started, 2002
Craft Session 1: Getting Started, Audio Part 1
Craft Session 1: Getting Started, Audio Part 2
Craft Session #9: Finding the Right Script, Audio Part 1
Craft Session #9: Finding the Right Script, Audio Part 2
Craft Session: Finding the Right Script, 2001
When you stake your future on a particular screenplay, you should make sure that it’s the one no agency or production company can resist. That’s a tall, perhaps unrealistic order, but it’s still important to understand the things necessary to make a great calling card script. What kind of script stands out from the others? How do you know when you have one? 1 audiocassette, sides A and B, about 84 minutes
Do I Have to Move to LA?, 1995
Doing the Dirty Work: Agents and Managers, 2000
A little representation never hurt anyone. Listen very carefully and you may begin to appreciate the work that thesetireless script and scribe champions do on a daily basis. You may also learn a few things that you can use when youwrite that million-dollar script. Yes, there is a difference between agents and managers. Yes, we'll discuss the difference. Two sides of audiocassette tape, about 89 minutes total.
Dramatis Television: The One-Hour TV Drama, 1997
Entertainment Law Forum: A Basic Roadmap to the Writer's Guild Agreement, 2000
This panel will make clear who may join the WGA, what membership entails, how membership affects present andfuture deals and what general protections and obstacles WGA membership creates both for new and establishedwriters. The long-rumored, looming WGA strike will be discussed as well. Come get the whole story before sellingthat million dollar script. Two sides of audiocassette tape, about 47 minutes total.
Entertainment Law Forum: The Ethics of Entertainment Representation, 2000
A panel of agents, managers and lawyers square off on the issue of ethics, particularly conflict of interest, inentertainment law. Participants will define their unique roles in the entertainment industry, reviewing the varioustypes of compensation for professionals and the practical and ethical issues and dilemmas that compensation presentsboth for the professional and the client. Two sides of audiocassette tape, about 107 minutes total.
Exactly What Does Your Agent and Manager Do?, 1999
Sorry, the writers of this panel description plead ignorance. We've had an agent, we've been approached by managers, we have absolutely no clue what they do. The bleary-eyed insomniacs sitting next to you in the room, scratching their heads and feverishly taking notes...? That'll be us.
Audio poor, very hard to hear.
1 audiocassette, sides A and B.
Getting It Done: The Agent as Advocate, 2001
A writer and agent discuss their experiences working together. This is an opportunity for you aspiring scribes to gain some valuable, practical knowledge about how representation can benefit you. Don’t swim with the sharks alone. If you’re lucky, you’ll need this information someday. If you’re smart, you'll use what you’ve learned when the time comes. 1 audiocassette, sides A and B, about 75 minutes
Is Opportunity Knocking?, 1995
Like Laurel and Hardy: The Writer-Agent Relationship, 1998
Semi Finalist Panel I, 2001
Semi Finalist Panel I, Audio Part 1
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- Archival Object 24
- Digital Record 8