Gross, Matthew
Found in 18 Collections and/or Records:
Entertainment Law Forum: The Literary Option Purchase Agreement, 2000
Attorneys examine and discuss purchase agreements from the point of view of both the writer and producer/distributor. The issues that matter most to the writer will be stressed, including what to fight for when signing anoption agreement, and how to approach optioning from the "idea" to the "finished script" stages of the creative process. Two sides of audiocassette tape, about 57 minutes total.
From Script to Property: Attaching The Goods to Get It Made, 1994
From Script to Property-The Development Process, 1995
It Takes Two to Tango: A Producers' Panel, 1997
Making a Production Out of It, 1995
Matt Gross, 1994
Matt Gross, Audio Part 1
Matt Gross, Audio Part 2
Script Development Happens, 2001
No script goes totally without changes on its way to the big screen. It’s unquestionably valuable to know who’s making what kind of movies and why, but your ultimate test as a newly optioned writer could be learning to work within the system. The process of turning your solitary pursuit into a team effort is examined here from the producer’s point of view. 1 audiocassette, sides A and B, about 78 minutes
Strike Three, You're Out! The Bullpen - A Pitching Exercise, 1999
The pitch is an intense moment-of-truth experience. You only get one shot so you better be ready. Consider this the bullpen - if you're in the room, be ready to be called on to pitch a specific well-known flick. Panelists will help you hone in on perfection and give you a hands-on glimpse into what it takes to effectively communicate the hook of a story.
1 audiocassette, sides A and B.
Taking the Bull by the Horns: The Role of a Producer, 2002
The Development Process, 2000
Getting a greenlight on your script has never been a more challenging experience. With thousands of screenplayscoming from all directions, studios are as much in the business of turning down scripts as making them. It neverhurts to know who's making what, why, and for what kind of audience. Two sides of audiocassette tape, about 88 minutes total.
The Nuts and Bolts: Film Development, 2002
The Writer/Producer Relationship, 2001
With the right producer in his or her corner, an emerging screenwriter can leap instantly and dramatically into the big time. With a great writer by his or her side, a producer secures the foremost tool necessary to create new and exciting projects. This may be your best chance to hear both sides of a successful writer/ producer partnership. 1 audiocassette, sides A and B, about 63 minutes
To Pitch or Not to Pitch, 1995
What Producers Really Want in a Screenwriter, 2002
What were you thinking? Original Works, 2002
What's the Future of TV?, 2004
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