Red, Eric
Found in 3 Collections and/or Records:
Bump in the Night: Writing Horror That Works, 2002
I've Read This Movie Before: Adaptation, 2001
Translating another writer’s ideas to film can be a daunting process. How do screenwriters capture the essence of a literary source without compromising the relatively rigid rules of writing for motion pictures? How do they use source material as the blueprint for their own, unique talents? How do they know which text to pass over and which to use? 1 audiocassette, sides A and B, about 66 minutes
Thrills and Chills, 2001
Capturing and holding the attention of an audience is essential. It can help immensely to incorporate a murderous psychopath, relentless blood-sucking ghoul or vicious sadist into your script if you want to keep viewers on the edges of their seats. Shocking and scaring is fine, but what can you do to add depth to your thriller? How do you make a lasting impression? 1 audiocassette, sides A and B, about 75 minutes